Showing posts with label Gerry Mulligan. Show all posts
Showing posts with label Gerry Mulligan. Show all posts

VA - Membran Music's Jazz Ballads Series Vol. 1-5 (10 CD, 2004) [FLAC+320]


 A CD sets with the most beautiful ballads in the history of jazz.

Lyrical, imaginative, sensuous and melodic jewels from the art of music.

Precisely for those people who have maintained their taste for lasting musical values.

Jazz in its most gentle form.

Irrestible...


Jazz Ballads 1: Chet Baker & Gerry Mulligan
Jazz Ballads 2: Ben Webster
Jazz Ballads 3: Lester Young
Jazz Ballads 4: Clifford Brown & Sonny Rollins
Jazz Ballads 5: Don Byas







Verve Jazz Masters series Vol. 31-40


 Jazz Masters is a series of mainly single artist compilations released by Polygram/Verve between 1994 and 1996. The compilations collect material that was originally released on Verve or on one of the labels that became part of the Polygram group. The 20th and 60th releases in the series were various artist collections.


VJM 31 - Cannonball Adderley
VJM 32 - Chet Baker
VJM 33 - Benny Goodman
VJM 34 - Coleman Hawkins
VJM 35 - Johnny Hodges
VJM 36 - Gerry Mulligan
VJM 37 - Oscar Peterson Plays Broadway
VJM 38 - Django Reinhardt
VJM 39 - Cal Tjader
VJM 40 - Dinah Washington Sings Standards


The Complete Gerry Mulligan Meets Ben Webster Sessions (2 CD, 1997/FLAC)


 Although an earlier CD added five previously unissued tracks to the original LP Gerry Mulligan Meets Ben Webster, this Verve Master Edition two-CD set adds just about everything else recorded during the two sessions that produced the original record, and also features 20-bit sound. 

Even though Gerry Mulligan was outspoken against issuing material omitted from his original recordings, it is a treat to hear how the songs evolved in the studio. Webster and Mulligan seem mutually inspired throughout the sessions, and strong performances by pianist Jimmy Rowles, bassist Leroy Vinnegar, and drummer Mel Lewis are of considerable help. The music is presented in the order in which it was recorded, with each CD devoted to a separate session. In both cases it is clear that the initial takes of music from the Ellington songbook ("In a Mellotone" and "Chelsea Bridge") are more focused than the follow-up versions. They only needed one try to nail "What Is This Thing Called Love?" (also left off the LP), in an understated setting that shows off their beautiful interplay. Their barely disguised reworking of "I Got Rhythm," called "Who's Got Rhythm," was likely an effortless performance, though Webster seems to briefly laugh in the middle of his solo. Webster's swinging "Fajista" opens the second date, followed by two takes of Mulligan's beautiful ballad "Tell Me When." Webster's "Blues in B-Flat" is another fine swinger inexplicably left off the LP, and Rowles kicks off the oldie "Sunday" with a brief stride piano introduction (something Webster played himself but rarely in a recording studio). Fans on a budget can probably make due with the earlier CD reissue but serious fans of Mulligan and/or Webster should invest in this very rewarding set instead. 


  • Ben Webster - tenor saxophone
  • Gerry Mulligan - baritone saxophone
  • Jimmie Rowles - piano
  • Leroy Vinnegar - bass
  • Mel Lewis - drums

Recorded November and December, 1959

Gerry Mulligan with Chet Baker - Complete Pacific Jazz Recordings (4 CD, 1996/FLAC)

 

Baritonist Gerry Mulligan's pianoless quartet of 1952-1953 with trumpeter Chet Baker was one of the most popular groups of the period and an influential force on West Coast Jazz. Mulligan's interplay with Baker looked back toward the collective improvisation of Dixieland but utilized up-to-date harmonies. This four-CD set overlaps with a previous (and now out-of-print) five-LP Mosaic box. In addition to all of the Pacific Jazz (as opposed to Fantasy and GNP/Crescendo) recordings of the Mulligan Quartet (including the hit version of "My Funny Valentine"), this box has a few slightly earlier titles that find Mulligan gradually forming the group (even utilizing pianist Jimmie Rowles on two songs), tunes from live sessions in which altoist Lee Konitz made the band a quintet, the 1957 Mulligan-Baker set called Reunion, and an Annie Ross date from the same period (leaving out the numbers that have Art Farmer in Baker's place). Despite both musicians remaining active for over 30 years, Mulligan and Baker only teamed up again on one occasion, for a 1970s Carnegie Hall concert released by CTI. The consistently delightful music on this box (much of which is classic) is highly recommended for all jazz collections.

Gerry Mulligan - Mosaic Select 21 (3 CD, 2007/FLAC)

 

Gerry Mulligan was certainly busy in December 1957. During a two-week period, the baritonist recorded a reunion album with trumpeter Chet Baker, documented a set of his songs with an octet that featured five top saxophonists, recorded a very obscure set with a sextet that included four strings, and cut most of an album in which his quartet teamed up with singer Annie Ross. This limited-edition three-CD set contains all of the music plus alternate takes and the last part of the Ross album, which was recorded nine months later with trumpeter Art Farmer in Baker's spot.

VA - Pacific Jazz II Collection (6 CD, 1989/FLAC)

 

Very rare 1989 UK 6-CD set, digitally remastered and transfered from the original masters, featuring Gerry Mulligan, Gerry Mulligan & Chet Baker, Bud Shank, Bob Brookmeyer, Richard Twardzik/ Russ Freeman Trios and Chico Hamilton.

Thelonious Monk - Eight Classic Albums (4 CD, 2010/ FLAC)

 


Eight classic albums on four discs from great Monk






CD1 - Monk, Monk's Music {76:26}
CD2 - Thelonious Monk Plays the Music of Duke Ellington, The Unique Thelonious Monk {75:46}
CD3 - Mulligan Meets Monk, Thelonious Monk and Sonny Rollins {75:12}
CD4 - Art Blakey's Jazz Messengers with Thelonious Monk, Thelonious Monk Trio {79:34}

Gerry Mulligan - The Complete Verve Gerry Mulligan Concert Band Sessions [4 CD, 2003]

  

This four disc-set contains all of the existing Concert Band Sessions from May 1960 to December 1962, and makes available for the first time five previously unreleased performances. Some seven others, whose original tapes are either missing or lost, are notated here for the sake of discography.