Showing posts with label Fletcher Henderson. Show all posts
Showing posts with label Fletcher Henderson. Show all posts

Fletcher Henderson - Chronogical Classics 1923 - 1938 [16 CD]

 


Fletcher Hamilton Henderson, Jr.
(December 18, 1897 – December 28, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was often known as "Smack" Henderson (apparently named due to his college baseball hitting skills).

 

  

Fletcher Henderson - A Study in Frustration (3 CD, 1994/FLAC)


 This four-LP set, which is now also available as a three-CD box, is easily the definitive Fletcher Henderson package. Between 1923-38, Henderson's orchestra was one of the finest swing bands in the world, and during 1923-27 (until Duke Ellington's emergence) it was the first and the best. The arrangements of Don Redman in the early days set the pace for jazz; Benny Carter and Horace Henderson also wrote some important charts before Henderson himself finally developed into a major arranger in 1932. This Columbia set is not complete, but it includes 64 selections, at least 60 of them gems. This essential box (which contains three wonderful versions of "King Porter Stomp") belongs in everyone's jazz collection.

Fletcher Henderson - The Complete Fletcher Henderson 1927-1936 (2 LP, 1976/FLAC)

 "Complete" is in this case a relative term, meaning every recording by Fletcher Henderson's orchestra owned by RCA/Bluebird rather than every record he made during this period. A perfectly done two-LP set, these 34 songs include three from 1927 (featuring trumpeters Tommy Ladnier and Joe Smith at their best), 12 varying sides from 1931-32 (during which tenor-saxophonist Coleman Hawkins and trumpeters Rex Stewart and Bobby Stark make even the most commercial material into worthwhile music), a session from 1934 with trumpeter Red Allen and 15 numbers from 1936 that co-star trumpeter Roy Eldridge and Chu Berry on tenor. Throughout, the consistent high quality of the solos and the musicianship (even with some off moments) makes one regret that this classic orchestra was not more commercially successful.