Oscar Peterson - The Complete Clef - Mercury Studio Recordings Of The Oscar Peterson Trio (1951-1953) (7 CD, 2008/FLAC)

This Mosaic Records collection is the first comprehensive study of Oscar Peterson's earliest trio recordings, the setting for which he was best known, throughout his reign. The collection includes 127 tunes, including five alternate masters that have never appeared on any record, in any format. The earliest recording dates from November 25, 1951 and the last is from December 7, 1953. In the interest of being complete, we amassed a collection that exceeds even the one held in the Universal Music vaults; with some original masters missing entirely, we went to collectors for vintage 78s, second generation tapes, even rare LPs and EPs, performing sonic miracles when necessary to achieve a quality that meets our Mosaic standards. 

Coming up in the era he did, he fell somewhere in between the swing players and the be-boppers, and the two strains wove together into something he never felt any reason to abandon. He and Ray Brown had developed an almost brotherly relationship thanks to the JATP tours they did together, and in Barney Kessel he found another player whose solos could wipe the floor, the walls, and the ceiling. With the JATP tours combined with these Clef and Mercury recordings the trio found the time and opportunity to hone their craft together and become a tight unit. Norman Granz' vision of the "Songbook" album, was perfected by the trio and the series of "Oscar Peterson Meets…" have long been unavailable and are finally in one package. 

 

• Oscar Peterson: piano, vocal; 
• Barney Kessel: guitar; 
• Ray Brown: bass. 

 

Oscar Peterson - A Time for Love: The Oscar Peterson Quartet Live in Helsinki, 1987 (2021/FLAC)

 In 1987, jazz immortal Oscar Peterson led his quartet featuring Joe Pass, Dave Young and Martin Drew, through the final engagement of their 14-concert European fall tour at Helsinki’s famed Kulttuuritalo. A Time For Love captures Peterson’s focus on performing original compositions on the bandstand alongside timeless classics at the pinnacle of the group’s creative stride.

The final gig of a long international tour that began with four concerts in Brazil, this date was the 14th of a European tour that took the quartet all over mainland Europe and Scandinavia. Anyone with any knowledge of jazz knows that the magic of consistent performing only makes the synergy and empathy of an ensemble – both substances this quartet has in mind-blowing quantity – better and better. That always dwarfs the fatigue factor, and sometimes results in sheer magic on a different plane. That’s clearly what happened during this spectacular concert. As Kelly Peterson said: “Performing with joy and vivacity, they determined to make every concert better than the previous one. This night in Helsinki is a glorious example of that” – and a stunning addition to the continuing legacy of this beloved master of music.

The recording is ideally summed up by Green in his liner notes: This live concert recording of Oscar in his epic prime is a heaven-sent time capsule of beauty and serves a glorious addition to the Jazz pantheon itself, a stunning testament to the music for which he honestly, humbly and fearlessly dedicated his life as a peaceful warrior, a hero to us all for the ages. I’m thankful for the gift of this concert and that Oscar’s spiritual music will play on for us today and tomorrow, as we need it more than ever before.

• Oscar Peterson, piano
• Joe Pass, guitar
• Dave Young, double bass
• Martin Drew, drums

01 - Cool Walk 09:07
02 - Sushi 06:57
03 - Love Ballade 10:40
04 - A Salute to Bach (Medley): Allegro / Andante / Bach’s Blues 20:38
05 - Cakewalk 09:17
06 - A Time for Love 08:09
07 - How High the Moon 04:28
08 - Soft Winds 06:03
09 - Waltz for Debby 05:18
10 - When You Wish Upon a Star 04:54
11 - Duke Ellington Medley: Take the “A” Train / Don’t Get Around Much Anymore / Come Sunday / C-Jam Blues / Lush Life / Caravan 18:57
12 - Blues Etude 05:55

Verve Jazz Masters series Vol. 21-30

 

 Jazz Masters is a series of mainly single artist compilations released by Polygram/Verve between 1994 and 1996. The compilations collect material that was originally released on Verve or on one of the labels that became part of the Polygram group. The 20th and 60th releases in the series were various artist collections.

VJM 21 - George Benson

VJM 22 - Billy Eckstine

VJM 23 - Gil Evans

VJM 24 - Ella Fitzgerald & Louis Armstrong

VJM 25 - Stan Getz & Dizzy Gillespie

VJM 26 - Lionel Hampton & Oscar Peterson

VJM 27 - Roland Kirk

VJM 28 - Charlie Parker Plays Standards

VJM 29 - Jimmy Smith

VJM 30 - Lester Young

 

Verve Jazz Masters series Vol. 11-20

 Jazz Masters is a series of mainly single artist compilations released by Polygram/Verve between 1994 and 1996. The compilations collect material that was originally released on Verve or on one of the labels that became part of the Polygram group. The 20th and 60th releases in the series were various artist collections.

VJM 11 - Stéphane Grappelli

VJM 12 - Billie Holiday

VJM 13 - Antonio Carlos Jobim

VJM 14 - Wes Montgomery

VJM 15 - Charlie Parker

VJM 16 - Oscar Peterson

VJM 17 - Nina Simone

VJM 18 - Sarah Vaughan

VJM 19 - Dinah Washington

VJM 20 - Introducing Jazz Masters

Louis Armstrong & Oscar Peterson – Louis Armstrong Meets Oscar Peterson (1959/2001/FLAC)

 

By 1957, hard bop was firmly established as the "jazz of now," while pianist Oscar Peterson and his ensemble with bassist Ray Brown and guitarist Herb Ellis were making their own distinctive presence felt as a true working band playing standards in the swing tradition. Louis Armstrong was more recognizable to the general public as a singer instead of the pioneering trumpet player he was. But popularity contests being the trend, Armstrong's newer fans wanted to hear him entertain them, so in retrospect it was probably a good move to feature his vocalizing on these tracks with Peterson's band and guest drummer Louie Bellson sitting in. The standard form of Armstrong singing the lead lines, followed by playing his pithy and witty horn solos based on the secondary melody, provides the basis for the format on this charming but predictable recording. What happens frequently is that Armstrong and Peterson play lovely ad lib vocal/piano duets at the outset of many tunes. They are all songs you likely know, with few upbeat numbers or obscure choices. It is, however, the familiarity of songs like the midtempo "Let's Fall in Love," with Armstrong's gravelly scat singing, and his marvelous ability to riff off of the basic songs, that make these offerings endearing. A classic take of "Blues in the Night" is the showstopper, while choosing "Moon Song" is a good, off-the-beaten-path pick as the trumpeter plays two solo choruses, and he leads out on his horn for once during the slightly bouncy, basic blues "I Was Doing All Right." Some extremely slow tunes crop up on occasion, like "How Long Has This Been Going On?," an atypically downtempo take of "Let's Do It," and "You Go to My Head," featuring Peterson's crystalline piano. There are the dependable swingers "Just One of Those Things," "I Get a Kick Out of You," and "Sweet Lorraine," with Peterson at his accompanying best. There's a ramped-up version of the usually downtrodden "Willow Weep for Me" and a duet between Armstrong and Ellis on the sad two-minute ditty "There's No You." All in all, it's difficult to critique or find any real fault with these sessions, though Peterson is subsumed by the presence of Armstrong, who, as Leonard Feather notes, really needs nobody's help. That this was their only collaboration speaks volumes to how interactive and communal the session really was, aside from the fairly precious music.

• Bass – Ray Brown
• Drums – Louis Bellson
• Guitar – Herb Ellis
• Piano – Oscar Peterson
• Vocals, Trumpet – Louis Armstrong

A1 That Old Feeling

A2 Let's Fall in Love

A3 I'll Never Be the Same

A4 Blues in the Night

A5 How Long Has This Been Going On

A6 I Was Doing All Right

B1 What's New

B2 Moon Song

B3 Just One of Those Things

B4 There's No You

B5 You Got to My Head

B6 Sweet Lorraine

Oscar Peterson - Ballads, Blues & Bossa Nova (3 CD, 2008/FLAC)

One of the great piano masters of all time, Oscar Peterson scores on this wonderful collection of three discs.

Original recordings 1968-1971-Digitally remastered.

 

Oscar Peterson - Exclusively for my Friends Vol.1-6 (2006/FLAC)

 Exclusively for My Friends is a series of originally six albums for the MPS label by Canadian jazz pianist Oscar Peterson. The album tracks were recorded live by Hans Georg Brunner-Schwer for MPS on the occasion of private concerts with a small audience in his home studio. The albums have been collected in different box sets over the years. 

Recording took place in six separate sessions between 1963 and 1968 in different trio settings as well as with Peterson playing solo. The recordings include performances with his most well-known trio consisting of double bassist Ray Brown and drummer Ed Thigpen and also teams him with bassist Sam Jones and drummers Louis Hayes or Bobby Durham. While around 60 tracks were recorded, only 37 were initially released in five trio albums and one solo album, the first in Peterson's career. The titles on each album were often selected from different recording sessions. Peterson was personally involved in selecting and editing the tapes. Due to contractual reasons, the albums were not released before 1968.

 

 

Oscar Peterson - Somebody Loves Me (4 CD, 2005/FLAC)

Oscar Peterson was one of the greatest piano players of all time. A pianist with phenomenal technique on the level of his idol, Art Tatum, Peterson's speed, dexterity, and ability to swing at any tempo were amazing. Very effective in small groups, jam sessions, and in accompanying singers, O.P. was at his absolute best when performing unaccompanied solos. His original style did not fall into any specific idiom. Like Erroll Garner and George Shearing, Peterson's distinctive playing formed during the mid- to late '40s and fell somewhere between swing and bop. Peterson was criticized through the years because he used so many notes, didn't evolve much since the 1950s, and recorded a remarkable number of albums. Perhaps it is because critics ran out of favorable adjectives to use early in his career; certainly it can be said that Peterson played 100 notes when other pianists might have used ten, but all 100 usually fit, and there is nothing wrong with showing off technique when it serves the music. As with Johnny Hodges and Thelonious Monk, to name two, Peterson spent his career growing within his style rather than making any major changes once his approach was set, certainly an acceptable way to handle one's career. Because he was Norman Granz's favorite pianist (along with Tatum) and the producer tended to record some of his artists excessively, Peterson made an incredible number of albums. Not all are essential, and a few are routine, but the great majority are quite excellent, and there are dozens of classics.  

VA - Membran Music's Jazz Ballads Series Vol. 6-10 (10 CD, 2004) [FLAC + 320]

 A CD sets with the most beautiful ballads in the history of jazz.

Lyrical, imaginative, sensuous and melodic jewels from the art of music.

Precisely for those people who have maintained their taste for lasting musical values.

Jazz in its most gentle form.

Irrestible...

Jazz Ballads 6: Coleman Hawkins

Jazz Ballads 7: Django Reinhardt

Jazz Ballads 8: Oscar Peterson

Jazz Ballads 9: Errol Garner

Jazz Ballads 10: Stan Getz

The Oscar Peterson Trio – Live At The Blue Note (The Complete Recordings - March 16-18, 1990) [4 CD, 2004/FLAC]

 In March of 1990, Oscar Peterson played a two-week engagement at the Blue Note in New York with a group billed as the Oscar Peterson Trio, even though it contained four players. Peterson was on piano, Ray Brown was on bass, Herb Ellis was on guitar and Bobby Durham was on drums. The billing was no doubt intended to capitalize on the fact that Peterson, Brown and Ellis had been one of the most popular jazz trios of the 1950s. The three had rarely played together between 1958 and this 1990 New York gig.

The Complete Lionel Hampton Quartets & Quintets With Oscar Peterson On Verve (5 CD, 1999/FLAC)

 

When Verve producer Norman Granz brought Lionel Hampton and Oscar Peterson together for the first time in 1953, he fostered one of the great collaborations in the august history of the label. The two laid down some of the most memorable small-group recordings in all of jazz over the space of two years, and you'll find the COMPLETE sessions here, over six hours of music, most of it on CD for the first time!