Showing posts with label June Christy. Show all posts
Showing posts with label June Christy. Show all posts

VA - Great Vocalists of Jazz & Entertainment [2004] Vol. 16-20 of 20

 

In this collection by the German "History" label, you get nearly 40 hours of digitally remastered original 78s and 45s. The sound quality is truly amazing - the remastering process removes hiss, clicks & pops; optimizes the equalization, and synthesizes stereo. The forty discs in this set are grouped into twenty 2-disc volumes which are dedicated to a vocalist or pair or vocalists.






Volume 16. Peggy Lee — Everything I Love
Volume 17. Anita O’Day / June Christy — Easy Street
Volume 18. Jo Stafford — Fools Rush In
Volume 19. Frank Sinatra / Ivy Anderson — It Don’t Mean A Thing
Volume 20. Billie Holiday / Jimmy Rushing —   Blue Skies



Peggy Lee & June Christy - The Complete Peggy Lee & June Christy Capitol Transcription Sessions (5 CD, 1998/FLAC)



Mosaic, the Rolls-Royce of record companies, has produced another of its limited-edition gems (5,000 copies and no more). This five-CD boxed set highlights the early work of two of the more famous vocal graduates of the swing era -- Peggy Lee and June Christy. Recently signed by Capitol, they were the company's attempt to break into the transcription business. Transcriptions were records provided to radio stations to fill a constant need for music that regular commercial releases were unable to meet. Most of the songs on this album, cuts from 1945 through 1949, were never before or since recorded by Lee and Christy, so they are a nice addition to their respective discographies. Of the two, Peggy Lee's style is clearly the most advanced. She had a successful tenure with Benny Goodman in the early '40s. After completing a hiatus as a homemaker for her husband, Dave Barbour, who accompanies her on several of these cuts, she started recording with Capitol in 1946. Her languid, laid-back approach that was to characterize her singing for the next 50-plus years was pretty well-developed by this time. In contrast, June Christy, who had just joined the Stan Kenton band, was still searching for her singing personality. The early cuts reveal she was still very much bound to Billie Holiday's style. But, by the time of the 1946 sessions on this album, the voice that was to become one of the most recognized by popular song fans, with Kenton and, later, with Pete Rugolo, Lou Levy, and others began to unfold. One surprise on the Christy sides is the valve-trombone work by Gene Roland. Noted more for his arranging skills than his soloing, his trombone work glistens on such cuts as "How High the Moon." Like all Mosaic releases, this album comes with complete annotations and an informative booklet.