Artie Shaw - Self Portrait (5 CD, 2001/FLAC)

As a clarinetist, he was one of the best, but as a bandleader and jazz innovator, Artie Shaw was peerless. In the various ensembles he led from 1936 to 1954, Shaw pushed swing jazz into new territory. He incorporated classical instrumentation into his arrangements and pretty much invented the genre of "third stream jazz"; he ignored the color barrier by recording with Hot Lips Page in the late '20s and by touring with Billie Holiday; he created volumes of timeless, beautiful, and swinging jazz. But mostly, Shaw kept everyone on their toes, wondering what new, gorgeous sounds he'd create next. 

The five-CD Self Portrait is the most complete collection assembled of his vast output, and Shaw himself, 91 years young, selected the tracks. It's a fascinating snapshot: the maverick clarinetist's career-long restlessness led to musical innovation and an odd assortment of inventive lineups. Listen to "Streamline" and hear the reckless sounds of Raymond Scott combined with a classical string quartet; hear his pure and pretty clarinet tones on "Begin the Beguine" and instantly understand how it became a hit in the late '30s. The highlights abound and every band--especially the mid-'50s Gramercy Five featuring Tal Farlow on guitar and Hank Jones on piano--is consistently great.

 

 

Artie Shaw - Begin The Beguine [10 CD, 2005/FLAC]

 

Arthur Jacob Arshawsky (May 23, 1910 – December 30, 2004), better known as Artie Shaw, was an American jazz clarinetist, composer, and bandleader. He was also the author of both fiction and non-fiction writings.

Widely regarded as "one of jazz's finest clarinetists", Shaw led one of America's most popular big bands of the late 1930s and early '40s. Their signature song, a 1938 version of Cole Porter's "Begin the Beguine", was a wildly successful single and one of the era's defining recordings. Musically restless, Shaw was also an early proponent of Third Stream, which blended classical and jazz, and recorded some small-group sessions that flirted with be-bop before retiring from music in 1954.

Buddy DeFranco & the All Stars - Wholly Cats : Benny Goodman and Artie Shaw Sessions" Vol.1 & 2 (3 CD, 2007/FLAC)

 5 complete LPs presented on 2 companion volumes! Featuring Carl Perkins, Jimmy Rowles, Barney Kessel and Don Fagerquist! Benny Goodman and Artie Shaw were among the most famous and beloved figures in swing music both as clarinet soloists and orchestra conductors. They were still very active musically in 1957, when Buddy De Franco decided to record a series of sessions paying homage to them. Thirty-five performances were recorded (including four medleys containing three songs each) in four extended sessions made on four consecutive days and with two different groups (guitarist Barney Kessel, however, is present on most of the tracks). The fi rst two sessions included trumpeter Don Fagerquist, tenor saxophonist Georgie Auld and pianist Carl Perkins. The second group includes trumpeter Ray Linn and another modern jazz pianist: Jimmy Rowles.

These two companion volumes include the complete LPs FOR THE FIRST TIME EVER ON CD!: "I Hear Benny Goodman & Artie Shaw", "Buddy De Franco plays Benny Goodman", "Buddy De Franco plays Artie Shaw", "Wholly Cats" and "Closed Session".

Artie Shaw — The Indispensable Artie Shaw (1938-1945) (6 CD, 1995/FLAC)

 

Artie Shaw (born Avraham Ben-Yitzhak Arshawsky, May 23, 1910, New York City, New York, USA - died December 30, 2004, Thousand Oaks, California, USA) was an American clarinetist and bandleader.

His first public appearance leading his own band was in his native New York City on the 24th of May, 1936 and he became one of the biggest names in jazz and popular music during the late 1930's and 1940's swing heyday. He last toured as a performing clarinetist with a big band in 1950, and made his last live / public performing appearances with a small group in 1954. Shaw made his last records of new material (on which he was merely conducting and not playing) in 1955. He spent much of the second half of his life devoted to writing and other pursuits, although he returned to the recording studios in 1968 to conduct an album of some of his biggest instrumental hits (from 1938-39) with a band that was filled by other notable veteran sidemen of the Swing Era, some of whom had worked for him three decades earlier and were at the time still working professional musicians in their prime. In 1983 he surprised the music world once again by assembling a 16-piece touring big band under the direction of clarinetist Dick Johnson and Shaw appeared with it through 1986-87, at which time he turned the band over to Johnson once and for all. The anti-nostalgic Shaw explicitly stated that he wanted this last band to focus on jazz and lesser known later works from 1944-45 and especially 1949, as well as new material written for the band, much of which was never recorded. He was married eight times including to Lana Turner (1940) and Ava Gardner (1945-46). 

 

Artie Shaw - Classic Artie Shaw Bluebird And Victor Sessions (7 CD, 2009/FLAC)

 

Seventy years after the fact, the argument about whether Artie Shaw was a better clarinetist than his arch-rival Benny Goodman continues to smolder. Clarinetists themselves are often awe- struck by Shaw’s impeccable tone and control, while Goodman was a bit more adventurous. On a personal level, these roles were reversed. Benny was a careful businessman whose only marriage lasted for over 35 years, while the mercurial Shaw hated the music business, and was constantly involved in lawsuits, breaking up his band, and alienating his fans. His very public private life, which included marriages to such icons as Lana Turner and Ava Gardner, was even more volatile. In fact, one comes away from reading John McDonough’s wonderful liner notes feeling that it’s a miracle Shaw left as large a legacy as he did.

 

 

Artie Shaw nad His Orchestra- Chronogical Classics 1936 - 1954 (16 CD)

 Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction.

Widely regarded as "one of jazz's finest clarinetists", Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." Before the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elements of classical and jazz forms and traditions. His music influenced other musicians, such as Monty Norman in England, with the vamp of the James Bond Theme, possibly influenced by 1938's "Nightmare".

Shaw also recorded with small jazz groups drawn from within the ranks of the big bands he led. He served in the US Navy from 1942 to 1944, during which time he led a morale-building band that toured the South Pacific. Following his discharge in 1944, he returned to lead a band through 1945. Following the breakup of that band, he began to focus on other interests and gradually withdrew from the world of being a professional musician and major celebrity, although he remained a force in popular music and jazz before retiring from music completely in 1954. 

Artie Shaw and His Gramercy 5 - Six Star Treats (1940-1954) [5 CD, 2008]

 

Artie Shaw led one of the great bands of the 'Swing Era' and from that band he formed a small group called the Gramercy 5. Having a "band within a band" was a popular trend at the time and the Gramercy 5 were one of the best! Presented here, spanning a period from 1940 to 1954, are what are thought to be ALL the commercially released titles by the band. Featuring the familiar "Begin The Beguine" which became a million seller along with the very popular "Frenesi". Also included are the hits "Summit Ridge Drive" & "Smoke Gets In Your Eyes". With bonus tracks that come from The Gramercy 5's appearances on Radio programmes including very rare performances on the 'Radio Hall Of Fame' and 'Kraft Music Hall', this is the seminal release unsurpassed by any other.


A more substantial offering from Jasmine is this 5-CD set, which claims to present the complete commercially released recordings. On the first CD the fifteen sides recorded for Victor are supplemented by ten 1945 airshots. The remaining four CDs all date from the early to mid-fifties, and the second includes vocals by Mary Ann McCall, June Hutton, and Connee Boswell. Like Ellington, Shaw was fond of revisiting favourite tunes. Thus there are several versions of some of the best-known Five numbers, and since the personnel varied considerably over the period they are all well worth having.