Showing posts with label Ray Brown. Show all posts
Showing posts with label Ray Brown. Show all posts

Sonny Rollins - Go West!: The Contemporary Records Albums (3 CD, 2023) [24-192]


Go West!: The Contemporary Records Albums
combines legendary Jazz saxophonist Sonny Rollins' two studio albums for Lester Koenig's Contemporary Records, Way Out West and And The Contemporary Leaders, with a third disc, Contemporary Alternate Takes. Featuring remastered audio by Bernie Grundman, the set is available on both RTI pressed 180g 3-LP and 3-CD formats.
  • Brown, Ray - bass
  • Hawes, Hampton - piano
  • Kessel, Barney - guitar
  • Manne, Shelly - drums
  • Rollins, Sonny - tenor saxophone

Way Out West

01 - I’m An Old Cowhand 05:43
02 - Solitude 07:51
03 - Come, Gone 07:53
04 - Wagon Wheels 10:13
05 - There Is No Greater Love 05:18
06 - Way Out West 06:33

Sonny Rollins and the Contemporary Leaders

07 - I’ve Told Ev’ry Little Star 05:29
08 - Rock-A-Bye Your Baby With A Dixie Melody 04:56
09 - How High The Moon 07:47
10 - You 04:18
11 - I’ve Found A New Baby 03:41
12 - Alone Together 06:03
13 - In The Chapel In The Moonlight 06:42
14 - The Song Is You 05:43

Alternate Takes

15 - I’m An Old Cowhand (Alternate Take) 10:11
16 - Come, Gone (Alternate Take) 10:30
17 - Way Out West (Alternate Take) 06:40
18 - The Song Is You (Alternate Take) 06:17
19 - You (Alternate Take) 04:18
20 - I’ve Found A New Baby (Alternate Take) 04:21

Louis Armstrong & Oscar Peterson – Louis Armstrong Meets Oscar Peterson (1959/2001/FLAC)

 

By 1957, hard bop was firmly established as the "jazz of now," while pianist Oscar Peterson and his ensemble with bassist Ray Brown and guitarist Herb Ellis were making their own distinctive presence felt as a true working band playing standards in the swing tradition. Louis Armstrong was more recognizable to the general public as a singer instead of the pioneering trumpet player he was. But popularity contests being the trend, Armstrong's newer fans wanted to hear him entertain them, so in retrospect it was probably a good move to feature his vocalizing on these tracks with Peterson's band and guest drummer Louie Bellson sitting in. The standard form of Armstrong singing the lead lines, followed by playing his pithy and witty horn solos based on the secondary melody, provides the basis for the format on this charming but predictable recording. What happens frequently is that Armstrong and Peterson play lovely ad lib vocal/piano duets at the outset of many tunes. They are all songs you likely know, with few upbeat numbers or obscure choices. It is, however, the familiarity of songs like the midtempo "Let's Fall in Love," with Armstrong's gravelly scat singing, and his marvelous ability to riff off of the basic songs, that make these offerings endearing. A classic take of "Blues in the Night" is the showstopper, while choosing "Moon Song" is a good, off-the-beaten-path pick as the trumpeter plays two solo choruses, and he leads out on his horn for once during the slightly bouncy, basic blues "I Was Doing All Right." Some extremely slow tunes crop up on occasion, like "How Long Has This Been Going On?," an atypically downtempo take of "Let's Do It," and "You Go to My Head," featuring Peterson's crystalline piano. There are the dependable swingers "Just One of Those Things," "I Get a Kick Out of You," and "Sweet Lorraine," with Peterson at his accompanying best. There's a ramped-up version of the usually downtrodden "Willow Weep for Me" and a duet between Armstrong and Ellis on the sad two-minute ditty "There's No You." All in all, it's difficult to critique or find any real fault with these sessions, though Peterson is subsumed by the presence of Armstrong, who, as Leonard Feather notes, really needs nobody's help. That this was their only collaboration speaks volumes to how interactive and communal the session really was, aside from the fairly precious music.

  • Bass – Ray Brown
  • Drums – Louis Bellson
  • Guitar – Herb Ellis
  • Piano – Oscar Peterson
  • Vocals, Trumpet – Louis Armstrong





A1 That Old Feeling
A2 Let's Fall in Love
A3 I'll Never Be the Same
A4 Blues in the Night
A5 How Long Has This Been Going On
A6 I Was Doing All Right
B1 What's New
B2 Moon Song
B3 Just One of Those Things
B4 There's No You
B5 You Got to My Head
B6 Sweet Lorraine


Oscar Peterson - Exclusively for my Friends Vol.1-6 (2006/FLAC)


 Exclusively for My Friends is a series of originally six albums for the MPS label by Canadian jazz pianist Oscar Peterson. The album tracks were recorded live by Hans Georg Brunner-Schwer for MPS on the occasion of private concerts with a small audience in his home studio. The albums have been collected in different box sets over the years. 

Recording took place in six separate sessions between 1963 and 1968 in different trio settings as well as with Peterson playing solo. The recordings include performances with his most well-known trio consisting of double bassist Ray Brown and drummer Ed Thigpen and also teams him with bassist Sam Jones and drummers Louis Hayes or Bobby Durham. While around 60 tracks were recorded, only 37 were initially released in five trio albums and one solo album, the first in Peterson's career. The titles on each album were often selected from different recording sessions. Peterson was personally involved in selecting and editing the tapes. Due to contractual reasons, the albums were not released before 1968.

 
 

The Oscar Peterson Trio – Live At The Blue Note (The Complete Recordings - March 16-18, 1990) [4 CD, 2004/FLAC]

 In March of 1990, Oscar Peterson played a two-week engagement at the Blue Note in New York with a group billed as the Oscar Peterson Trio, even though it contained four players. Peterson was on piano, Ray Brown was on bass, Herb Ellis was on guitar and Bobby Durham was on drums. The billing was no doubt intended to capitalize on the fact that Peterson, Brown and Ellis had been one of the most popular jazz trios of the 1950s. The three had rarely played together between 1958 and this 1990 New York gig.