Showing posts with label Bud Shank. Show all posts
Showing posts with label Bud Shank. Show all posts

Bud Shank & Bob Cooper - Mosaic Select 10 (3 CD, 2004/FLAC)


 For hardcore West Coast jazz fans, this Mosaic Select volume will be a kind of treasure-trove, though for most it will simply be a compelling curiosity piece. The collaborations of saxophonist and flutist Bud Shank and arranger, saxophonist, and oboist Bob Cooper created some tumult in the mid-1950s, when they recorded four albums together with various-sized ensembles, and, to a lesser degree, on Shank's date with Bob Brookmeyer arranged by Cooper. All tolled, there are five albums on these three discs: Bud Shank and Bob Brookmeyer (along with the session's remaining tracks that showed up on Bud Shank and Three Trombones on Pacific Jazz), Jazz at Cal-Tech (Pacific Jazz), Flute and Oboe (World Pacific), Swing's to TV, as well as the cuts from Jazz Swings Broadway (World Pacific) and of course, the classic, Blowin' Country (World Pacific). The quark strangeness and charm of these recordings cannot be underestimated, and neither can their swing. With sidemen like pianist Claude Williamson, drummers Chuck Flores or Shelly Manne, bassist Don Prell and others, these dates have a kind of quaintness that dates them in that restless yet ultra-hip period in the 1950s when almost anything went as long as it swung, and that stood outside the entire hard bop scene. These sides are not for everyone, but they are priceless for the sheer sophistication and adventurousness of their arrangements and the interplay between Shank and Cooper, which was symbiotic. A very fine idea by the folks at Mosaic. 




 

Bud Shank - Four Classic Albums (1956-1958) (2 CD, 2012/FLAC)


 Bud Shank is typical of the jazz musicians that roamed the West Coast in the fifties in that he was able to work comfortably in a variety of settings: big bands, the studio, and clubs. Like many of the other players, Shank also played more than one instrument, which made him a valuable member of the bandstand and afforded his solo recordings a bit more variety than what was coming out of the cool school at the time. Four Classic Albums collects a handful of records from this period that display not only the range of Shank's capabilities but also serve as a good cross section of what was happening in California mid-century.

VA - Pacific Jazz II Collection (6 CD, 1989/FLAC)

 

Very rare 1989 UK 6-CD set, digitally remastered and transfered from the original masters, featuring Gerry Mulligan, Gerry Mulligan & Chet Baker, Bud Shank, Bob Brookmeyer, Richard Twardzik/ Russ Freeman Trios and Chico Hamilton.

Bud Shank & Bob Cooper - Mosaic Select 10 (3 CD, 2004/FLAC)

 
For hardcore West Coast jazz fans, this Mosaic Select volume will be a kind of treasure-trove, though for most it will simply be a compelling curiosity piece. The collaborations of saxophonist and flutist Bud Shank and arranger, saxophonist, and oboist Bob Cooper created some tumult in the mid-1950s, when they recorded four albums together with various-sized ensembles, and, to a lesser degree, on Shank's date with Bob Brookmeyer arranged by Cooper. All tolled, there are five albums on these three discs: Bud Shank and Bob Brookmeyer (along with the session's remaining tracks that showed up on Bud Shank and Three Trombones on Pacific Jazz), Jazz at Cal-Tech (Pacific Jazz), Flute and Oboe (World Pacific), Swing's to TV, as well as the cuts from Jazz Swings Broadway (World Pacific) and of course, the classic, Blowin' Country (World Pacific). The quark strangeness and charm of these recordings cannot be underestimated, and neither can their swing. With sidemen like pianist Claude Williamson, drummers Chuck Flores or Shelly Manne, bassist Don Prell and others, these dates have a kind of quaintness that dates them in that restless yet ultra-hip period in the 1950s when almost anything went as long as it swung, and that stood outside the entire hard bop scene. These sides are not for everyone, but they are priceless for the sheer sophistication and adventurousness of their arrangements and the interplay between Shank and Cooper, which was symbiotic. A very fine idea by the folks at Mosaic. 


  • Bud Shank (flute, alto saxophone, tenor saxophone)
  • Howard Roberts (guitar) 
  • Benny Gill, Samuel Cytron, Tibor Zelig, Sam Caplan, Milton Feher, Marshall Sosson (violin, strings)
  • Jack Pepper, Robert Sushel, Eudice Shapiro (violin)
  • Myron Sandler, Louis Kievman (viola, strings)
  • Milton Thomas (viola) 
  • Paul Bergstrom, Ray Kramer (cello, strings) 
  • Bob Cooper (bass clarinet, oboe, tenor saxophone) 
  • Maynard Ferguson, Stu Williamson , Bob Brookmeyer, Bob Enevoldsen (valve trombone)
  • Claude Williamson (piano)
  • Chuck Flores , Larry Bunker, Shelly Manne (drums)