Showing posts with label Don Pullen. Show all posts
Showing posts with label Don Pullen. Show all posts

Don Pullen - Mosaic Select 13 (3 CD, 2004/FLAC)


 The 13th volume in Mosaic's limited-edition Select series showcases the late work of the late pianist and composer Don Pullen. Contained within the box are the two fine albums by the George Adams-Don Pullen Quartet, Breakthrough and Song Everlasting. These two recordings were the first the pair had done domestically. The band's previous output was released on Soul Note, and musically very good. Both Blue Note albums are simply stunning. The interplay between the pianist and saxophonist Adams was near symbiotic and was augmented by the stellar rhythm section of bassist Cameron Brown and drummer Dannie Richmond. Three of the four men -- excepting Brown -- were alumni of the Charles Mingus band. These two albums are the best of what post-bop jazz had to offer in the 1980s. Special highlights are Pullen's "Song From the Old Country," Adams's "A Time for Sobriety" and "Serenade to Sariah," and Pullen's brilliant "Sing Me a Song Everlasting." The other two sides here are trio dates recorded for Blue Note. New Beginnings, issued in 1988, featured bassist Gary Peacock and Tony Williams, and Random Thoughts, issued in 1990, placed Pullen in the company of James Genus on bass and Lewis Nash on drums. While the name recognition on New Beginnings is high, the performances are inconsistent, largely because Pullen was trying to juxtapose a more groove-oriented piano trio approach against the outside nature of his '60s playing. It is interesting throughout though not terribly rewarding. Random Thoughts, however, feels like a more natural fit and one in which the pianist and composer's rhythmic ideas and solo proficiencies were better matched to his rhythm section. The tunes are more lyrical and flowing, even when coming from different directions at once. Ultimately, these four albums make up for a great renaissance in Pullen's career. All four albums have been wonderfully remastered. 




 

Don Pullen - The Complete Remastered Recordings on Black Saint & Soul Note (7 CD, 2012/FLAC)

 

In 2012, pianist and organist Don Pullen's portion of the Black Saint catalog was tapped for the celebrated CAM Jazz/Black Saint/Soul Note reissue series. Pullen, who passed away during the spring of 1995, left a trail of intriguing albums, which resonate beautifully together in miniature LP jacket-styled packaging within the handsome, hand-sized box set. Prior to attaining world-wide recognition as a feisty member of the Charles Mingus band during the early to mid-'70s, Pullen made his first records as a sideman with saxophonists Giuseppi Logan and Charles Williams, as well as legendary percussionist Sunny Murray, who had worked with Albert Ayler back in 1964 when Pullen sat in with Logan and Milford Graves on an ESP Disk recording session. But it was Mingus who brought out the best in Pullen, a passionate and at times ferocious performer who literally drew blood when he attacked the ivories as a member of the first Mingus Dynasty band in 1979. A definitive example of that technique is preserved on "Boogie Stop Shuffle," the opening track on Mingus Dynasty's Elektra album Chair in the Sky. Pullen would continue to work with fellow Mingus bandsmen for years to come. In fact, George Adams and Dannie Richmond helped him record an album for the Italian Horo label in 1975. That year also marked Pullen's debut appearance on Giacomo Pellicciotti's newly established Black Saint record label. Capricorn Rising brought Pullen into the studio with master improviser Sam Rivers (who played saxes and flute), bassist Alex Blake, and drummer Bobby Battle.