Showing posts with label Miles Davis. Show all posts
Showing posts with label Miles Davis. Show all posts
Miles Davis- In Stockholm 1960 [4 CD, 1992] [FLAC]
This remarkable four-CD set features John Coltrane with the Miles Davis Quintet just
a short time before 'Trane went out on his own. Davis sounds inspired
by his star tenor and although Coltrane was reportedly bored with the
repertoire ("On Green Dolphin Street," "All Blues," "Fran-Dance,"
"Walkin'" and two versions of "So What"), he is at his most explorative
throughout this often-stunning music. In addition, the rhythm section
(pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb) had
been together for two years and is really tight. Although currently out
of print, it is well worth any foot work that may be needed in order to
acquire it. This highly recommended set also includes a brief interview
with Coltrane from this period.
Miles Davis Quintet - The First Great Quintet 1955-56 (3 CD, 2021) [Hi-Res FLAC]
"In the summer of 1955, after Davis performed at the Newport Jazz Festival, he was approached by Columbia Records executive George Avakian, who offered him a contract if he could form a regular band. Davis assembled his first regular quintet to meet a commitment at the Café Bohemia in July with Sonny Rollins on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. By the autumn, Rollins had left to deal with his heroin addiction, and later in the year joined the hard bop quintet led by Clifford Brown and Max Roach.
At the recommendation of drummer Jones, Davis replaced Rollins with John Coltrane, beginning a partnership that would last five years and finalizing the Quintet's first line-up. Expanded to a sextet with the addition of Cannonball Adderley on alto saxophone in 1958, the First Great Quintet was one of the definitive hard bop groups along with the Brown-Roach Quintet and the Jazz Messengers, recording the Columbia albums Round About Midnight, Milestones, and the marathon sessions for Prestige Records resulting in four albums collected on The Legendary Prestige Quintet Sessions."
Miles Davis & John Coltrane - The Best of Miles Davis and John Coltrane (2019) [24-48]
Coltrane had been a sideman with Davis on and off since 1955; they were both born in 1926, but their careers took drastically different paths. Davis was already a minor star in 1945, at the age of nineteen, when he recorded with Charlie Parker. Three years later, at twenty-two, he led a nonet, featuring intricate arrangements, that proved vastly influential. (They’re gathered under the title “Birth of the Cool.”) Davis had a huge and significant discography as a leader by the time he hired Coltrane, an unheralded musician best known as a rarely soloing sideman, who’d never yet led a record date. With Davis, Coltrane quickly found his voice, and expanded it during a stint in 1957 with Thelonious Monk. Coltrane had led dates on several labels; recorded the influential “Giant Steps,” in 1959; and was ready to go out on his own.
01 - Round Midnight 05:56
02 - Airegin 04:25
03 - My Funny Valentine 06:01
04 - Half Nelson 04:45
05 - The Maids of Cadiz 03:54
06 - Blues for Pablo 05:20
07 - Generique - Ascenseur Pour L'echafaud 02:48
08 - Au Bar Du Petit Bac - Ascenseur Pour L'echafaud 02:53
09 - Miles 05:42
10 - Summertime 03:19
11 - It Ain't Necessarily So 04:25
12 - So What 09:04
13 - All Blues 11:32
14 - Someday My Prince Will Come 09:04
15 - Giant Steps 04:44
16 - Syeeda's Song Flute 07:01
17 - Naima 04:21
18 - Like Sonny 05:52
19 - My Favorite Things 13:42
20 - Equinox 08:33
21 - Aisha 07:37
22 - Greensleeves 09:58
23 - Soul Eyes 05:24
24 - Tunji 06:33
25 - In a Sentimental Mood 04:14
VA - Golden Jazz Box: The Six Best Albums From The Six Best Jazzmen (6 CD, 2015) [FLAC]
Son of the Blues, Jazz is one of the deepest expressions in music. With
improvisation as its foundation, the genre includes multiple artists
that are embedded in gold letters in the history of popular music.
Golden Jazz Box is a celebration of that legacy, presenting the 6 best
albums of each one of the genre's biggest icons: Miles Davis, John Coltrane, Chet Baker, Dave Brubeck, Bill Evans and Duke Ellington.
Golden Jazz Box works as a true musical encyclopedia, the definitive collection of these wonderful singers in one six-CD box. Golden Jazz Box is a fantastic album, suitable for any moment and mood and an opportunity to get closer to these timeless artists.
Golden Jazz Box works as a true musical encyclopedia, the definitive collection of these wonderful singers in one six-CD box. Golden Jazz Box is a fantastic album, suitable for any moment and mood and an opportunity to get closer to these timeless artists.
Menovky:
Bill Evans,
Chet Baker,
compilation,
Dave Brubeck,
Duke Ellington,
John Coltrane,
Miles Davis
Miles Davis Quintet - The Complete Columbia Studio Sessions 1965-68 (6 CD, 1998/FLAC)
By 1965 Miles Davis had gone through a handful of stages, from the Birth of the Cool nonet's multihued orchestrations to the development of a hard-bop sound keeled on Davis's midregister wooziness and the band's driving backbone in the "first" great quintet (featuring John Coltrane), to the modal freedom of Kind of Blue. So when the solidly established Davis convened a new quintet, known as his "second" great one, and hired youngsters Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams, it seemed a skewed move.
These six CDs show just how creatively and
intelligently skewed the move really was. The material here, which has
also been reissued on expanded single CDs of the main full-length
original LPs (E.S.P., Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky),
is immediately and unceasingly startling. Davis & Co. were quickly
discarding their live performance practice of playing loads of standards
and were further discarding traditional melodic structures for more
rigorous harmonic exercises. Shorter in particular, at times the most
prolific composer in the band, was advancing his tunes and his
solos in equal proportion. The tunes are increasingly sharp-edged and,
with Williams driving the band with a categorical balance of abandon and
control, loopily energized. Miles blows with tighter and tighter
control of his tone even while the band seems to be finding all kinds of
expressive freedoms that easily elongate into lengthier studies. Toward
the end of this box, you'll hear the seeds of the Miles that went on to
unloose Bitches Brew. Even though the roots of the aggressively
electric Miles are in these sessions, there are uncategorizable points
of beauty strewn all over the tunes.
Miles Davis - The First Great Quintet [Studio 1955-56] [2021 remaster FLAC-HD]
In the summer of 1955, after Miles Davis performed at the Newport Jazz Festival, he was approached by Columbia Records executive George Avakian, who offered him a contract if he could form a regular band. Davis assembled his first regular quintet to meet a commitment at the Café Bohemia in July with Sonny Rollins on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. By the autumn, Rollins had left to deal with his heroin addiction, and later in the year joined the hard bop quintet led by Clifford Brown and Max Roach.
At the recommendation of drummer Jones, Davis replaced Rollins with John Coltrane, beginning a partnership that would last five years and finalizing the Quintet's first line-up. Expanded to a sextet with the addition of Cannonball Adderley on alto saxophone in 1958, the First Great Quintet was one of the definitive hard bop groups along with the Brown-Roach Quintet and the Jazz Messengers, recording the Columbia albums Round About Midnight, Milestones, and the marathon sessions for Prestige Records resulting in four albums collected on The Legendary Prestige Quintet Sessions.
Miles Davis Quintet:
Miles Davis, trumpet
John Coltrane, tenor saxophone
Red Garland, piano
Paul Chambers, double bass
Philly Joe Jones, drums
Miles Davis - The Complete Columbia Album Collection - [52 albums - 70 CD, 2009/FLAC]
Miles Davis: The Complete Columbia Album Collection is a
box set by jazz musician Miles Davis, released in 2009. It contains all
the official releases on the Columbia Records label.
Miles Davis - Complete Miles Davis at Montreux 1973-1991 [20 CD, 2002]
The Complete Miles Davis Live at Montreux 1973-1991 compiles 20 CDs documenting every performance by the trumpeter at the famed Swiss jazz festival in its entirety. What's more, 19 of these volumes have never before been issued in any form.
Miles Davis Quintet - Live At Newport 1966 & 1967 (2010/FLAC)
It’s one thing hearing about “rare tapes circulating among private collectors” but it’s another thing getting to hear them. Now you can; this is a hugely valuable release, a window into the working life of one of the greatest bands in the history of jazz performing at probably the most famous platform of all during the Golden Era of Jazz (1950s to the late 1960s), the Newport Jazz Festival (plus two bonus tracks taken from a broadcast in Finland on 1 November 1967). The liner notes say “This release contains all of the surviving music from the Miles Davis Quintet’s Newport sets of 1966 and 1967,” and were taken from live broadcasts of the event, complete with Willis Connover announcements, which adds to the atmosphere of the occassion. With the exception of Miles In Berlin and the Plugged Nickel sets, live documentation of this band is thin on the ground, given its (relative) longevity.
- Miles Davis, trumpet
- Wayne Shorter, tenor sax
- Herbie Hancock, piano
- Ron Carter, bass
- Tony Williams, drums
1. Introduction Into Gingerbread Boy
2. All Blues
3. Stella By Starlight [Incomplete]
4. Gingerbread Boy
5. Footprints
6. 'Round Midnight [Incomplete]
7. Introduction Into Footprints
8. 'Round Midnight [Incomplete]
Miles Davis - That’s What Happened 1982-1985: Bootleg Volume 7 (3 CD, 2022/FLAC)
That’s What Happened 1982-1985: Bootleg Volume 7 is the next installment in the celebrated, award-winning archival series that began in 2011, shining an in-depth light onto different eras of the legendary career of Miles Davis.
In the 1980s, popular music had moved to a smoother, electronic-based sound that traded the steam of previous years for subdued arrangements meant to elicit peace and deep reflection. Miles Davis embraced this era, pulling inspiration from FM radio and an upstart music video channel called MTV. He was searching for the next frontier, letting his creativity roam. This music on The Bootleg Series Vol. 7 captures that exploration, and finds Miles beginning to re-emerge in a creative landscape far different than the one he left in 1975. He’s touched every inch of pop culture while keeping true to his iconoclastic vision of jazz as amorphous art that’s supposed to bend and flow and mutate to something else. On That’s What Happened, we get to play in the rubble of what would become yet another period of unprecedented innovation. Beauty resides in evolution. The set collects nearly 4 hours of unreleased music including 2 CDs of studio material from 1982 to 1985 plus another CD containing a complete, blistering show of one of Miles’ last amazing bands captured live at the Festival International De Jazz De Montreal in July 1983. Side men include a multi-generational who’s who of jazz talent from JJ Johnson, John McLaughlin, Al Foster and John Scofield to Mike Stern, Marcus Miller, Daryl Jones and Vince Wilburn.
Miles Davis - On The Crest Of The Airwaves [4 CD, 2011/FLAC]
4 x CD in book/DVD-style tall packaging.
Containing 3 rare and previously unreleased concerts from San Francisco 1970, England 1970 and Melbourne Australia 1988. These concerts highlight the genius that was Miles Davies and are also an important piece of jazz history. All discs have been digitally remastered for superior sound quality .The iconic artwork and in dept sleeve notes make this a must have release for all true jazz fans
Containing 3 rare and previously unreleased concerts from San Francisco 1970, England 1970 and Melbourne Australia 1988. These concerts highlight the genius that was Miles Davies and are also an important piece of jazz history. All discs have been digitally remastered for superior sound quality .The iconic artwork and in dept sleeve notes make this a must have release for all true jazz fans
- Miles Davis (tp);
- Gary Bartz (ss, as);
- Chick Corea (el-p);
- Keith Jarrett (org);
- Dave Holland (b, el-b);
- Jack DeJohnette (d);
- Airto Moreira (perc);
- Michael Henderson (el-b);
- Jumma Santos [Jim Riley] (perc);
- Robert Irving III, Adam Holzman (synth);
- Joe "Foley" McCreary (lead-b);
- Benny Rietveld (el-b);
- Ricky Wellman (d);
- Marilyn Mazur (perc)
CD 1 - Live At The Berkshire Music Center Tanglewood (18.8.1970)
1.Directions
2.Bitches Brew
3.It's All About That Time
4.Sanctuary
5.Spanish Key/The Theme
6.Miles Runs The Voodoo Down
CD 2 - Live At The Fillmore West, San Francisco, (15.10.1970)
1.Honky Tonk
2.What I Say
3.Sanctuary
4.Yesternow
5.Bitches Brew
6.Funky Tonk/The Theme
CD 3 - Live At The Concert Hall, Melbourne, (2.5.1988)
1.In A Silent Way - Intruder
2.New Blues (Star People)
3.Perfect Way
4.The Senate - You And Me
5.Human Nature
6.Wrinkle
7.Tutu
8.Movie Star
9.Splatch
CD 4 - Live At The Concert Hall , Melbourne (Cont)
1.Time After Time
2.Heavy Metal
3.Don't Stop Me Now
4.Carnival Time
5.Tomaas
6.Burn
7.Portia
Miles Davis - The Cellar Door Sessions 1970 [6 CD, 2005/FLAC]
The Cellar Door Sessions 1970 is a 2005 reissue of several 1970 concerts given by Miles Davis, at the Washington, DC nightclub, The Cellar Door.
Significant portions of Davis' Live-Evil were edited and compiled from the music that appears on discs 5 and 6.
It is one of the few recordings that has Keith Jarrett playing electric piano. Live-Evil and this collection are the only live recordings of John McLaughlin live performances with Miles Davis.
- Miles Davis: electric trumpet with Wah Wah
- Gary Bartz: soprano and alto sax:
- John McLaughlin: electric guitar (CDs 5-6 only)
- Keith Jarrett: Fender Rhodes electric piano, Fender electric organ
- Michael Henderson: electric bass
- Jack DeJohnette: drums
- Airto Moreira: percussion, Cuica (CDs 2-3-4-5-6)
Menovky:
Airto Moreira,
boxset,
FLAC,
Gary Bartz,
Jack DeJohnette,
John McLaughlin,
Keith Jarrett,
live,
Michael Henderson,
Miles Davis
Miles Davis - The Lost Quintet [2019]
Miles and his Quintet were on their 1969 European tour, promoting the ‘Bitches Brew’ album.
Recorded on 11th May 1969 in Rotterdam, the recordings were lost for years and now available remastered as a CD.
01. Directions
02. Bitches Brew
03. Sanctuary
04. Mastuero
Recorded on 11th May 1969 in Rotterdam, the recordings were lost for years and now available remastered as a CD.
- Bass – Dave Holland
- Drums, Marimba – Jack DeJohnette
- Electric Piano – Chick Corea
- Tenor Saxophone, Soprano Saxophone – Wayne Shorter
- Trumpet – Miles Davis
01. Directions
02. Bitches Brew
03. Sanctuary
04. Mastuero
Miles Davis - The Lost Septet [2 CD, 2020]
Captured at the Wiener Konzerthaus in Vienna, The Lost Septet features Miles Davis accompanied by Gary Bartz, Keith Jarrett, Michael Henderson, Ndugu Leon Chancler, James Mtume Foreman and Charles Don Alias.
Davis toured Europe with this septet in 1971 — during his controversial, rock-oriented fusion era — but he never recorded with them in a studio. This concert was only previously broadcast on the radio.
Miles Davis & Gil Evans - The Complete Columbia Studio Recordings [6 CD, 2004/FLAC + 320]
From their first work together on the Birth of the Cool sessions in 1949, Miles Davis and Gil Evans forged a unique relationship as great soloist and brilliant arranger. The real opportunity to explore their shared vision didn't come until 1957, however, when Davis had forged a relationship with a major record label able to support it. Though a product of the big-band tradition, Evans was never limited by sectional voicings and riffs. He had an interest in unusual instrumentation and a talent for creating subtle mixes of distinct voices, adding French horns, oboe, bassoon, and harp to the conventional big band and thinning its saxophone, trumpet, and trombone sections. His arrangements for Davis are like settings for the finest jewels, whether he's creating rich, brass chords or adding only light percussion to the trumpeter's solitary lament. Together Davis and Evans produced three orchestral masterpieces: Miles Ahead (1957), Porgy and Bess (1958), and Sketches of Spain (1960). They're all here, along with less-inspired, later projects like the Quiet Nights bossa nova album. What most distinguishes the box set is the archival work of Phil Schaap, who has compiled a wealth of alternate takes. They reveal much about the processes that went into these works, including extensive editing and even some overdubbing. As early as 1957, Evans and Davis were already beginning to use the studio itself as an integral part of their music.
Miles Davis - Before The Cool: The Miles Davis Collection 1945-48 (2 CD, 2020) [FLAC]
Trumpeter Miles Davis was without doubt one of the most important and influential jazz musicians of the post-war era, not only as a pioneer of the bebop movement but through being at the forefront of many stylistic and musical innovations over the years. His landmark debut album for Capitol The Birth Of The Cool, recorded during 1949 and 1950, became regarded as seminal in the history of cool jazz, exploring unusual harmonies and textures.
This excellent-value 49-track 2-CD set comprises his studio recordings in small ensembles, in which he is the only trumpeter, from his studio debut in 1945 through to the end of 1948, just weeks before the first of the Birth Of The Cool sessions in January 1949. As a bonus, it concludes with a live recording with Charlie Parkers All Stars in December 1948. It features performances with Charlie Parker's Reeboppers, the Charlie Parker Septet, Charlie Parker All Stars, Coleman Hawkins All Stars, Miles Davis All Stars, Charlie Parker Quintet & Charlie Parker Sextet from eleven different recording sessions during these years . Charlie Parker was his primary collaborator on these sessions, but among the musicians featured in the various line-ups were Dizzy Gillespie, Bud Powell, Kai Winding, Coleman Hawkins, Lucky Thompson, Hank Jones, John Lewis, Max Roach, J.J. Johnson, Al Haig, Curly Russell and others. Its a fascinating insight into the development of his music during these key formative years.
Miles Davis - The Complete Live at the Plugged Nickel 1965 [8 CD, 1995/FLAC]
In late December 1965 recordings were made of two nights of performances by Miles Davis´ second great quintet at the Plugged Nickel nightclub in Chicago. Some tracks were available on Miles Davis compilations, but the full recordings were released thirty years later as a box set under the title The Complete Live at the Plugged Nickel 1965. The studio recordings of the quintet consist almost entirely of original compositions by members of the quintet. These club recordings show the group playing tunes which were either standards or had been in Davis's live repertoire for several years. The tunes are performed with substantially more rhythmic and harmonic freedom than on earlier recordings.
Miles Davis & John Coltrane - The Complete Columbia Recordings 1955-1961 [6 CD, 2011/FLAC]
Between 1955 and 1959, with occasional changes in personnel, trumpeter Miles Davis led a simply extraordinary small band that changed the course of jazz. This quintet/sextet primarily spotlighted tenor saxophonist John Coltrane but also included such greats as alto saxophonist Cannonball Adderley; pianists Red Garland, Bill Evans, and Wynton Kelly; bassist Paul Chambers; and drummers Philly Joe Jones and Jimmy Cobb.
The Complete Columbia Recordings of Miles Davis and John Coltrane comprise such fabled Davis albums as 'Round About Midnight, Milestones, Jazz at the Plaza, Volume 1, Someday My Prince Will Come, and the legendary Kind of Blue. Also included are the Davis-with-Coltrane selections that appeared on Miles and Monk at Newport, Jazz Track, Basic Miles, and Circle in the Round. In all, the set boasts 60 tracks, of which 18 are previously unreleased--14 of them complete takes.
The Complete Columbia Recordings of Miles Davis and John Coltrane comprise such fabled Davis albums as 'Round About Midnight, Milestones, Jazz at the Plaza, Volume 1, Someday My Prince Will Come, and the legendary Kind of Blue. Also included are the Davis-with-Coltrane selections that appeared on Miles and Monk at Newport, Jazz Track, Basic Miles, and Circle in the Round. In all, the set boasts 60 tracks, of which 18 are previously unreleased--14 of them complete takes.
Miles Davis - The Lost Concert (2021/FLAC)
The stunning double album ‘The Lost Concert’ from Miles Davis is released for the first time on 28 September 2021, the thirtieth anniversary of his death, on 2CD and digital through Sleepy Night Records. This completes the trilogy from company that brought you the Number One jazz album ‘The Lost Quintet’ followed by ‘The Lost Septet’. This stunning show was captured at La Grande Halle, La Villette, Paris, France on 10 July 1991.
Miles Davis was renowned for never revisiting the past, even though many fans, critics and concert promoters always hoped that he would. Then, in July 1991, Miles Davis did return to the past, not once, but twice. The first was two days earlier, when he had played the classic arrangements of Gil Evans from the 1950s and 1960 at the Montreux Jazz Festival. Then, Miles arrived at Paris to play this special gig. It was simply advertised as “Miles and Friends” and neither the audience, nor Miles’ band, had any idea on what they were about to witness.
Playing with Miles was an amazing roll-call of past musical associates from the 1950s, 60s, 70s and 80s: Chick Corea, Bill Evans, Al Foster, Steve Grossman, Herbie Hancock, Dave Holland, Darryl Jones, John McLaughlin, Jackie McLean, John Scofield and Joe Zawinul. Miles’ band members were Kenny Garrett, Foley, Deron Johnson, Richard Patterson and Ricky Wellman.
Blue Note Works 1500 series Vol.1501-1510
Blue Note Records is an American jazz record label, owned by
Universal Music Group and currently operates in conjunction with Decca
Records. Established in 1939 by Alfred Lion and Max Margulis, it derives
its name from the characteristic "blue notes" of jazz and the blues.
Originally dedicated to recording traditional jazz and small group
swing, from 1947 the label began to switch its attention to modern jazz.
While the original company did not itself record many of the pioneers
of bebop, significant exceptions are Thelonious Monk, Fats Navarro and
Bud Powell.
Menovky:
Art Blakey,
Blue Note,
Bud Powell,
J.J. Johnson,
Miles Davis,
Milt Jackson,
Thelonious Monk
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