Showing posts with label Bobby Hutcherson. Show all posts
Showing posts with label Bobby Hutcherson. Show all posts

Jackie McLean - Destination... Out! (1964) [192-24]

 
  • Grachan Moncur III - trombone
  • Jackie McLean - alto saxophone
  • Bobby Hutcherson - vibes
  • Larry Ridley - bass
  • Roy Haynes - drums


Recorded at the Van Gelder Studio, Englewood Cliffs, NJ on September 20, 1963. 


01. Love and Hate (Moncur III) - 8:28
02. Esoteric (Moncur III) - 9:05
03. Kahlil the Prophet (McLean) - 10:27
04. Riff Raff (Moncur III) - 7:08


Bobby Hutcherson - Mosaic Select 26 (3 CD, 2007/FLAC)


 Among the relatively small community of vibraphonists, Bobby Hutcherson is not only one of the most influential, he's clearly the most widely versed and consistent too. In a career now nearing its sixth decade, Hutcherson has played mainstream to Third Stream and soul jazz to free jazz. A mainstay of the Blue Note label in the 1960s and 1970s, he released ten discs as a leader between 1965 and 1969, and also played on albums by artists including Eric Dolphy, Andrew Hill, Jackie McLean, Joe Henderson, Tony Williams and Grachan Moncur III.

While the 1970s was a decade when most artists dabbled, to a lesser or greater extent, with the integration of electric instruments and rock rhythms, Hutcherson remained relatively unswayed. So while the five 1974 through 1977 sessions that make up Mosaic Select 26 find the vibraphonist incorporating electric piano, and giving an occasional nod to a more pop-centric approach, for the most part Hutcherson continued to do what he did best: put together strong working ensembles capable of handling a diversity of material that nevertheless remain stylistically in the center of the mainstream. The majority of this material has never been reissued domestically in the US in any format, and much of it is seeing release on CD here for the first time, outside a few tracks that have appeared on compilations. 

Larry Young - The Complete Blue Note Recordings Of Larry Young (6 CD, 1991/FLAC)


 Larry Young, one of the most significant jazz organists to emerge after the rise of Jimmy Smith, is heard on this limited-edition six-CD set at the peak of his creativity. Formerly available as nine LPs, the set includes the original Larry Young albums Into Somethin', Unity, Of Love and Peace, Contrasts, Heaven on Earth, and Mother Ship, while drawing from the compilations 40 Years of Jazz, The History of Blue Note (Dutch), The World of Jazz Organ (Japanese), and The Blue Note 50th Anniversary Collection Volume Two: The Jazz Message, and also including guitarist Grant Green's Talkin' About, Street of Dreams, and I Want to Hold Your Hand. Young was still very much under Smith's influence on the first four sessions released as Talkin' About, Into Somethin', Street of Dreams, and I Want to Hold Your Hand (all featuring a trio with Green and drummer Elvin Jones plus guests Sam Rivers or Hank Mobley on tenor and vibraphonist Bobby Hutcherson). However, starting with the monumental Unity session (a quartet outing with Joe Henderson on tenor, trumpeter Woody Shaw, and Jones), Young emerged as a very advanced and original stylist in his own right. Young's final four dates (Of Love and Peace, Contrasts, Heaven on Earth, and Mother Ship) are generally pretty explorative and feature such notable sidemen as altoist James Spaulding and Byard Lancaster, guitarist George Benson, and trumpeter Lee Morgan along with some forgotten local players. This definitive Larry Young set is highly recommended.