Keith Jarrett - Standards Live (1985/2021) [24-96]

Take one look at the thoughtful cover art of this seminal Keith Jarrett release, and you’ll gain immediate insight into what makes his trio click. Each curvaceous line brings a lifetime of movement, of study, and of passion to bear on the music at hand. And with these six standards resurrected to such profound levels, there’s nothing not to like.

Recorded July 2, 1985 at the Palais dis Congrès Studios de la Grand Armée

• Keith Jarrett, piano
• Jack DeJohnette, drums
• Gary Peacock, double bass

01 - Stella By Starlight 11:20

02 - The Wrong Blues 08:03

03 - Falling In Love With Love 08:40

04 - Too Young To Go Steady 10:11

05 - The Way You Look Tonight 09:31

06 - The Old Country 06:37

Keith Jarrett at the Blue Note : The Complete Recordings [6 CD, 1995/FLAC]

 Keith Jarrett at the Blue Note The complete recordings is a 6-CD box set live album by Keith Jarrett's Standards Trio recorded at the Blue Note Jazz Club in New York City in 1994 and released by ECM Records in October 1995. Totaling more than seven hours of music (applause included), the multi-CD box documents the "complete" performances of a three-day / double-set Friday to Sunday stand. 

Personnel

    Keith Jarrett – piano

    Gary Peacock – double bass

    Jack DeJohnette – drums

Gary Peacock Trio - Now This (2015/FLAC)

In the realm of the piano trio the bar is set high, and creative bassist Gary Peacock has helped raise it in the groups of Bill Evans, Paul Bley and Keith Jarrett. 'Now This' is an album with the bassist's current trio, recorded in the summer of 2014 in Oslo and issued in time for Peacock's 80th birthday (on 12 May, 2015).

Powerful new versions of some Peacock classics - such as "Moor", "Vignette", "Requiem" and "Gaya" - are interspersed with recent compositions. Pianist Marc Copland and drummer Joey Baron each contribute tunes, and the group also tackles Scott La Faro's "Gloria's Step". In this band, roles are very evenly shared, and this is an optimum context in which to appreciate the melodic invention of Peacock's bass playing. Marc Copland always honours the needs of the compositions and Joey Baron supplies both drive and sensitive detail.