Paul Motian — The Complete Remastered Recordings On Black Saint & Soul Note (6 CD, 2010/FLAC)

 

Between 1983 and 1992, drummer and composer Paul Motian recorded six albums as a leader for the Soul Note label. Three of them (The Story of Maryam, Jack of Clubs, and Misterioso) featured a quintet that included saxophonists Joe Lovano and Jim Pepper, guitarist Bill Frisell, and bassist Ed Schuller; two were duo albums with pianists, one (Notes) with Paul Bley and the other (Flux and Change) with Italian pianist Enrico Pieranunzi (not Bley, as erroneously indicated on the back of this box set). The sixth, One Time Out, was a trio album with Frisell and Lovano. This nicely priced box brings together all six albums, each of them in a cardboard sleeve that duplicates the original LP packaging.

 

Enrico Pieranunzi — The Complete Remastered Recordings On Black Saint & Soul Note (6 CD, 2010/FLAC)

 

Born in Rome in 1949, Pieranunzi grew up to become one of Europe's established masters of mainstream modern jazz. His six-CD set opens with the album Isis, which was recorded in February 1980. Pieranunzi shared the date with trumpeter Art Farmer (heard on flügelhorn) and alto saxophonist Massimo Urbani. A handful of compositions by Charlie Parker and Dizzy Gillespie bring extra warmth to an already substantial itinerary. Pieranunzi's next Soul Note album, Deep Down, was recorded in February 1986 with drummer Joey Baron and Marc Johnson, whose presence was significant as he was the last bassist to work with Pieranunzi's idol, Bill Evans. Those expecting to encounter the 1987 album Silence will not find it in this set, but rather in the Charlie Haden edition from the same series. Chronologically speaking, the next album in this box is No Man's Land, recorded in May 1989 with Johnson and drummer Steve Houghton. Flux & Change, which came together in August of 1992, is a suite of 23 studies (some of them quite brief) created in duet with percussionist Paul Motian. Seaward was recorded in March of 1994 with bassist Hein van de Geyn and drummer André Ceccarelli. Both players hailed from Dee Dee Bridgewater's backing band. This bundle of dependably enjoyable modern jazz closes with the album Ma l'Amore No. Recorded in February 1997, it features alto saxophonist Lee Konitz, trumpeter Enrico Rava, and vocalist Ada Montellanico. 

In later years Pieranunzi recorded a lot for the CAM Jazz label, variously collaborating with Charlie Haden, Paul Motian, and Kenny Wheeler; reuniting with Johnson and Baron; or devoting entire albums to reinterpretations of music by Domenico Scarlatti, George Frederick Handel, and Johann Sebastian Bach. Among denizens of North America, Pieranunzi's portion of the Soul Note reissue series may serve to increase awareness of his contributions to the inextinguishable, ever-changing braid of musical traditions called jazz. 

 

CD 1 • Enrico Pieranunzi Quartet & Quintet featuring Art Farmer – Isis (1980)

CD 2 • Enrico Pieranunzi, Marc Johnson, Joey Baron – Deep Down (1987)

CD 3 • Enrico Pieranunzi Trio With Marc Johnson And Steve Houghton – No Man's Land (1989)

CD 4 • Enrico Pieranunzi, Paul Motian – Flux And Change (1995)

CD 5 • Enrico Pieranunzi Trio With Hein Van de Geyn & André Ceccarelli – Seaward (1996)

CD 6 • Enrico Pieranunzi Trio & Ada Montellanico with Lee Konitz & Enrico Rava – Ma L'amore No (1997)

 

Bill Evans - The Complete Village Vanguard Recordings, 1961 (3 CD, 2005/FLAC)

 

The Complete Village Vanguard Recordings, 1961, a three-CD box set released in 2005, marks the first time the entire Bill Evans Trio's complete sets at the Village Vanguard on June 25, 1961 have been released in their entirety (outside of the twelve-disc set containing Evans' complete Riverside recordings). It also marks the first US release of the first take of "Gloria's Step," which is incomplete due to a power failure.

These sets, from which the classic LPs Sunday at the Village Vanguard and Waltz for Debby were drawn, were the trio's final live recordings. Bassist Scott LaFaro would die in an automobile accident on July 6.

The album was deemed by the Library of Congress to be "culturally, historically, or aesthetically important" and added to the United States National Recording Registry for the year 2009. The Penguin Guide to Jazz Recordings included the set as part of its suggested "core collection".

• Bill Evans: piano; 
• Scott LaFaro: bass; 
• Paul Motian: drums.

 

Paul Motian - Paul Motian: Old & New Masters (6 D, 2013/FLAC)

 

This six-CD set, with recordings from 1972 to 1984, includes the albums Conception Vessel, Tribute, Dance, Le Voyage, Psalm and It Should’ve Happened A Long Time Ago. Paul Motian’s innovative drumming with the great trios of Bill Evans and Paul Bley had already assured him of a place in jazz’s history books, but Motian had not considered life as a bandleader until ECM proposed a recording session under his own name. “Conception Vessel” opened floodgates of creativity. Through these recordings we hear not only the evolution of several outstanding Motian ensembles and the birth of the enduring Motian/Frisell/Lovano trio, but also the growth of confidence of a unique jazz composer. In Paul’s music, memories of Turkish and Armenian melodies he had heard as a child were filtered through a love of jazz. Early in his career, Paul had played with Thelonious Monk, and Monk’s wayward sense of dynamics remained a reference for him, but he also loved the free expressive possibilities of the new jazz. Keith Jarrett and Charlie Haden, regular partners in Keith’s trio and quartet, encouraged Paul’s creative flight on, respectively, “Conception Vessel” and “Tribute”. With “Dance” and “Le Voyage”, the trios with Charles Brackeen recorded 1977 and 1979, Motian shaped a soundworld entirely his own, and a blueprint for the future.