Born in Columbia, SC, on June 16, 1924, tenor saxophonist Lucky Thompson bridged
the gap between the physical dynamism of swing and the cerebral
intricacies of bebop, emerging as one of his instrument's foremost
practitioners and a stylist par excellence. Eli Thompson's lifelong
nickname -- the byproduct of a jersey, given him by his father, with the
word "lucky" stitched across the chest -- would prove bitterly
inappropriate: when he was five, his mother died, and the remainder of
his childhood, spent largely in Detroit, was devoted to helping raise
his younger siblings. Thompson loved music, but without hope of
acquiring an instrument of his own, he ran errands to earn enough money
to purchase an instructional book on the saxophone, complete with
fingering chart. He then carved imitation lines and keys into a broom
handle, teaching himself to read music years before he ever played an
actual sax. According to legend, Thompson finally received his own
saxophone by accident -- a delivery company mistakenly dropped one off
at his home along with some furniture, and after graduating high school
and working briefly as a barber, he signed on with Erskine Hawkins'
'Bama State Collegians, touring with the group until 1943, when he
joined Lionel Hampton and settled in New York City.
Thompson returned to New York in 1947, leading his own band at the famed Savoy Ballroom. The following year, he made his European debut at the Nice Jazz Festival, and went on to feature on sessions headlined by Thelonious Monk and Miles Davis (the seminal Walkin'). Backed by a group dubbed the Lucky Seven that included trumpeter Harold Johnson and altoist Jimmy Powell, Thompson cut his first studio session as a leader on August 14, 1953, returning the following March 2. For the most part he remained a sideman for the duration of his career, however, enjoying a particularly fruitful collaboration with Milt Jackson that yielded several LPs during the mid-'50s. But many musicians, not to mention industry executives, found Thompson difficult to deal with -- he was notoriously outspoken about what he considered the unfair power wielded over the jazz business by record labels, music publishers, and booking agents, and in February 1956 he sought to escape these "vultures" by relocating his family to Paris. Two months later he joined Stan Kenton's French tour, even returning to the U.S. with Kenton's group, but he soon found himself blacklisted by Louis Armstrong's manager, Joe Glaser, after a bizarre conflict with the beloved jazz pioneer over which musician should be the first to leave their plane after landing. Without steady work, he returned to Paris, cutting several sessions with producer Eddie Barclay.
Thompson remained in France until 1962, returning to New York and a year later headlining the Prestige LP Plays Jerome Kern and No More, which featured pianist Hank Jones. Around this same time his wife died, and in addition to struggling to raise their children on his own, Thompson's old battles with the jazz power structure also remained, and in 1966 he formally announced his retirement in the pages of Down Beat magazine. Within a few months he returned to active duty, but remained frustrated with the industry and his own ability -- during the March 20, 1968, date captured on the Candid CD Lord, Lord Am I Ever Gonna Know?, he says "I feel I have only scratched the surface of what I know I am capable of doing." From late 1968 to 1970, Thompson lived in Lausanne, Switzerland, touring widely across Europe before returning the U.S., where he taught music at Dartmouth University and in 1973 led his final recording, I Offer You. The remaining decades of Thompson's life are in large part a mystery -- he spent several years living on Ontario's Manitoulin Island before relocating to Savannah, GA, trading his saxophones in exchange for dental work. He eventually migrated to the Pacific Northwest, and after a long period of homelessness checked into Seattle's Columbia City Assisted Living Center in 1994. Thompson remained in assisted care until his death on July 30, 2005.
1944 - 1946.Lucky Thompson - Lucky Start
1945 - 1947.Lucky Thompson - The Beginning Years
1954.Lucky Thompson - Accent On Tenor
1956.Lucky Thompson - Brown Rose
1956.Lucky Thompson - Lucky Thompson featuring Oscar Pettiford (Vol. 1)
1956.Lucky Thompson - Lucky Thompson featuring Oscar Pettiford (Vol. 2)
1956.Lucky Thompson - Lullaby in Rhythm (LP)
1956.Lucky Thompson - Modern Jazz Group
1956.Lucky Thompson with Dave Pochonet All Stars - Jazz in Paris
1957.Sammy Price and Lucky Thompson - Paris Blues
1961.Lucky Thompson - Lord, Lord, Am I Ever Gonna Know
1969.Lucky Thompson - A Lucky Songbook In Europe
1969.Lucky Thompson - Switzerland
1972.Jimmy McGriff, Lucky Thompson, George Freeman, O'Donel Levy - Friday The 13th. Cook County Jail
1972.Lucky Thompson Quartet - Goodbye Yesterday
1988.Chu Berry & Lucky Thompson - Giants of the Tenor Sax
1993.Lucky Thompson - Tricotism
2002.Lucky Thompson - Nothing But The Soul (Americans Swinging in Paris)
2007.Lucky Thompson - Lucky Strikes
2014.Lucky Thompson - Star Chaser (Live)
2016.Lucky Thompson - Bop & Ballads