Miles Davis & John Coltrane - The Best of Miles Davis and John Coltrane (2019) [24-48]

Coltrane had been a sideman with Davis on and off since 1955; they were both born in 1926, but their careers took drastically different paths. Davis was already a minor star in 1945, at the age of nineteen, when he recorded with Charlie Parker. Three years later, at twenty-two, he led a nonet, featuring intricate arrangements, that proved vastly influential. (They’re gathered under the title “Birth of the Cool.”) Davis had a huge and significant discography as a leader by the time he hired Coltrane, an unheralded musician best known as a rarely soloing sideman, who’d never yet led a record date. With Davis, Coltrane quickly found his voice, and expanded it during a stint in 1957 with Thelonious Monk. Coltrane had led dates on several labels; recorded the influential “Giant Steps,” in 1959; and was ready to go out on his own.



01 - Round Midnight 05:56
02 - Airegin 04:25
03 - My Funny Valentine 06:01
04 - Half Nelson 04:45
05 - The Maids of Cadiz 03:54
06 - Blues for Pablo 05:20
07 - Generique - Ascenseur Pour L'echafaud 02:48
08 - Au Bar Du Petit Bac - Ascenseur Pour L'echafaud 02:53
09 - Miles 05:42
10 - Summertime 03:19
11 - It Ain't Necessarily So 04:25
12 - So What 09:04
13 - All Blues 11:32
14 - Someday My Prince Will Come 09:04
15 - Giant Steps 04:44
16 - Syeeda's Song Flute 07:01
17 - Naima 04:21
18 - Like Sonny 05:52
19 - My Favorite Things 13:42
20 - Equinox 08:33
21 - Aisha 07:37
22 - Greensleeves 09:58
23 - Soul Eyes 05:24
24 - Tunji 06:33
25 - In a Sentimental Mood 04:14

Laboratorium - Anthology 1971-1988 [10 CD, 2006]

 

The end of the 60s was an important period in jazz, as well as rock music, in Poland and the rest of the world, with the development of many styles and trends in popular music. In 1970 the jazz rock fusion band, Laboratorium was formed in Kraków. Their music soon developed in jazz rock fusion, and so were pioneers in this music in Poland. In their first years, Laboratorium's music was acoustic, cleverly avoiding any limiting definitions. At the beginning of the 70's there was very limited access to Western recordings but this did not prove an obstacle for the band, because of the musicians searching and experimenting in the field. On the contrary and because of their relative isolation, Laboratorium developed an unique sound which was often noted in various critical reviews.

The Laboratorium's album debut was released in January 1973, consisting of two tracks recorded in April 1972 in a studio belonging to the PR III of the Polish Radio. The recording session was in fact, an award for taking second place on the Jazz Nad Odr¹ '72 festival. The tracks were noted for their unusual approach both towards harmony and tension-building. The first song 'Chora³' included a vocal fragment by Marek Stryszowski. Later his singing was to become an important and significant element of Laboratorium's music, often utilising electronic voice-modulation effects.



Didier Lockwood, Allan Holdsworth - The Unique Concert (1980/2020) [24-96]


Concert at the Paris Jazz Festival on November 1, 1980 at the Théâtre de la Ville.

On November 1, 1980 at the Théâtre de la Ville de Paris, an exceptional concert brought together some of the greatest French and European jazz musicians of that time. An exceptional roster that is not necessarily the assurance of a big concert, and yet, that evening, it was!


VA - The Complete Gershwin Songbooks (3 CD, 1995) [FLAC]


 

The Complete Gershwin Songbooks collects three discs also released separately: 'S Wonderful, 'S Marvelous, and 'S Paradise. The first two discs include the greatest vocalists Verve had to offer, including Ella Fitzgerald, Billie Holiday, Louis Armstrong, Anita O'Day, Shirley Horn, Sarah Vaughan, Dinah Washington, Bing Crosby, Joe Williams, Fred Astaire, and even Antonio Carlos Jobim. Obviously, the songs are all classics and the versions presented are quite legendary themselves. The third disc in the set includes instrumental versions of Gershwin standards (by Bill Evans, Coleman Hawkins, Stan Getz, Clifford Brown, Art Tatum, Oscar Peterson) that focus on the composer's stunning gift of melody and harmonic interplay -- just as the vocalists' versions highlight his lyrical prowess. Not all the versions are definitive, but The Complete Gershwin Songbooks includes many treats for fans of classic traditional pop. 




Swing Time: The Encyclopedia Of Jazz (100 CD, 2008) [320]

Giant 100 CD boxset 
All-star swing groups with their most famous recordings
Membran Music 2008



 

Al Di Meola, Jean-Luc Ponty, Stanley Clarke / Live At Montreux 1994 (2005) [24-48]


It was at the Montreux Jazz Festival in 1994 that Al Di Meola, Jean-Luc Ponty and Stanley Clarke played as a trio for the first time. Clarke and Di Meola had been part of Return to Forever and while they were comfortable in the familiarity of knowing each other, Ponty reached in and became a perfect fit. That language of understanding is seen to advantage on this portrait.

  • Al DiMeola (guitar)
  • Jean-Luc Ponty (violin)
  • Stanley Clarke (bass)
Guest artist: Monty Alexander (piano on "Song to John")

01 - Song To John 12:57
02 - Memory Canyon 10:13
03 - La Cancion De Sofia 13:42
04 - Summer Country Song 06:41
05 - School Days 06:43
06 - Eulogy To Oscar Romero 06:19
07 - Renaissance 09:55
08 - Chillean Pipe Song 06:31
09 - Song To John 13:31
10 - Indigo 08:04



Stan Getz, Chet Baker - Stockholm Concerts 1983 [3 CD, 1999/FLAC]

  

According to this set's annotator, Mike Hennessey, and Stan Getz's biographer, Donald Maggin, the circumstances surrounding the making of these 1983 recordings was unpleasant in the extreme. For various reasons, Getz was unhappy to be concertizing with Baker and forced him out before the 35-date tour was halfway finished. Before Baker left, however, the men played a pair of concerts in Stockholm, which were fortunately recorded for posterity. Fortunately not because Getz and Baker shared any special rapport that led to a classic performance, but because the resulting album gives listeners another example of how wonderful a player Chet Baker was, even after years of drug addiction and general dissolution. Getz is his typical self -- lyrical, facile almost to the point of glibness, but musical nevertheless. Baker, on the other hand, is as he ever was -- one of the most spontaneously creative, emotionally compelling voices in jazz. The band is good if unspectacular; drummer Victor Lewis was a particularly nice choice in that he could drive a band like this without overwhelming the rather brittle lead voices. And Getz is excellent; if you're a Getz fan, he's in fine form here, so you won't be disappointed. Baker, on the other hand, is superb; it's his inimitable musicality that ultimately makes this rather pricey three-disc set a bargain.

 


Sonny Rollins - Go West!: The Contemporary Records Albums (3 CD, 2023) [24-192]


Go West!: The Contemporary Records Albums
combines legendary Jazz saxophonist Sonny Rollins' two studio albums for Lester Koenig's Contemporary Records, Way Out West and And The Contemporary Leaders, with a third disc, Contemporary Alternate Takes. Featuring remastered audio by Bernie Grundman, the set is available on both RTI pressed 180g 3-LP and 3-CD formats.
  • Brown, Ray - bass
  • Hawes, Hampton - piano
  • Kessel, Barney - guitar
  • Manne, Shelly - drums
  • Rollins, Sonny - tenor saxophone

Way Out West

01 - I’m An Old Cowhand 05:43
02 - Solitude 07:51
03 - Come, Gone 07:53
04 - Wagon Wheels 10:13
05 - There Is No Greater Love 05:18
06 - Way Out West 06:33

Sonny Rollins and the Contemporary Leaders

07 - I’ve Told Ev’ry Little Star 05:29
08 - Rock-A-Bye Your Baby With A Dixie Melody 04:56
09 - How High The Moon 07:47
10 - You 04:18
11 - I’ve Found A New Baby 03:41
12 - Alone Together 06:03
13 - In The Chapel In The Moonlight 06:42
14 - The Song Is You 05:43

Alternate Takes

15 - I’m An Old Cowhand (Alternate Take) 10:11
16 - Come, Gone (Alternate Take) 10:30
17 - Way Out West (Alternate Take) 06:40
18 - The Song Is You (Alternate Take) 06:17
19 - You (Alternate Take) 04:18
20 - I’ve Found A New Baby (Alternate Take) 04:21

Keith Jarrett - Standards Live (1985/2021) [24-96]


Take one look at the thoughtful cover art of this seminal Keith Jarrett release, and you’ll gain immediate insight into what makes his trio click. Each curvaceous line brings a lifetime of movement, of study, and of passion to bear on the music at hand. And with these six standards resurrected to such profound levels, there’s nothing not to like.

Recorded July 2, 1985 at the Palais dis Congrès Studios de la Grand Armée

  • Keith Jarrett, piano
  • Jack DeJohnette, drums
  • Gary Peacock, double bass


01 - Stella By Starlight 11:20
02 - The Wrong Blues 08:03
03 - Falling In Love With Love 08:40
04 - Too Young To Go Steady 10:11
05 - The Way You Look Tonight 09:31
06 - The Old Country 06:37




Christian McBride & Inside Straight - Kind of Brown (2009) [24-96]


Bassist/composer Christian McBride is one of the most in-demand sidemen in the music business, having toured and recorded with the likes of Herbie Hancock, Chick Corea, Diana Krall and Sting. The Philadelphia-native has also made a name for himself as a daring leader, exploring both acoustic and electronic styles. For Kind of Brown, his premier date for the Detroit-based Mack Avenue Records, McBride introduces his new acoustic jazz quintet Inside Straight, featuring pianist Eric Scott Reed, saxophonist Steve Wilson, vibraphonist Warren Wolf, Jr. and drummer Carl Allen.

  • Christian McBride: bass
  • Carl Allen: drums
  • Eric Scott Reed: piano
  • Steve Wilson: sax
  • Warren Wolf, Jr.: vibes

01 - Brother Mister 04:52
02 - Theme for Kareem 07:51
03 - Rainbow Wheel 06:30
04 - Starbeam 06:36
05 - Used 'Ta Could 06:33
06 - The Shade of the Cedar Tree 07:49
07 - Pursuit of Peace 06:04
08 - Uncle James 05:26
09 - Stick & Move 08:05
10 - Where Are You? 04:18