Herbie Hancock – The Complete Columbia Album Collection, 1972-1988 [34 CD, 2013]

 

Gathered here for the first time are all of the recordings Herbie Hancock (b. 1940) made for Columbia Records U.S. and CBS/Sony Records Japan between 1972 and 1988--a stunningly creative, 17-year period, yielding 31 albums. Eight of the titles in this set have never been released outside of Japan. This collection of 34 newly-remastered CDs showcases Herbie's virtuosity in a dazzling display of musical styles. It is a testament to his fearlessness, innovation, and ever-evolving curiosity, as well as his significant commercial success--the platinum certifications of Head Hunters and Future Shock.

Django Reinhardt - Chronological Classics 1934-1953 (15 CD)

 

Django Reinhardt was the first hugely influential jazz figure to emerge from Europe -- and he remains the most influential European to this day, with possible competition from Joe Zawinul, George Shearing, John McLaughlin, his old cohort Stephane Grappelli and a bare handful of others. A free-spirited gypsy, Reinhardt wasn't the most reliable person in the world, frequently wandering off into the countryside on a whim

 

 

Pharoah Sanders - In The Beginning 1963-1964 [4 CD, 2012] (FLAC+320)

 RIP (October 13, 1940 – September 24, 2022)

Pharoah Sanders In the Beginning 1963 - 1964 - four CD set documents the first recordings of the iconic tenor saxophonist, Pharoah Sanders, prior to his well-known association with John Coltrane. Beginning with two previously unreleased sessions with Ornette Coleman alumni Don Cherry and Paul Bley, followed by Pharoah's debut date as a leader for ESP-Disk and concluding with the first issue ever of the complete the December 30 and 31, 1964 Sun Ra at Judson Hall concerts, Sanders only known recordings with the Arkestra the set also includes rare recorded interviews with Sanders, Cherry, Bley and Ra by ESP-Disk's music producer Michael D. Anderson. With Coltrane, Sanders would become known for extremely atonal blowing using extended techniques, but on his September 20, 1964 ESP session (as on most of his work as a leader) he does not go to those extremes.

 

Miles Davis - The First Great Quintet [Studio 1955-56] [2021 remaster FLAC-HD]

 In the summer of 1955, after Miles Davis performed at the Newport Jazz Festival, he was approached by Columbia Records executive George Avakian, who offered him a contract if he could form a regular band. Davis assembled his first regular quintet to meet a commitment at the Café Bohemia in July with Sonny Rollins on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. By the autumn, Rollins had left to deal with his heroin addiction, and later in the year joined the hard bop quintet led by Clifford Brown and Max Roach.

At the recommendation of drummer Jones, Davis replaced Rollins with John Coltrane, beginning a partnership that would last five years and finalizing the Quintet's first line-up. Expanded to a sextet with the addition of Cannonball Adderley on alto saxophone in 1958, the First Great Quintet was one of the definitive hard bop groups along with the Brown-Roach Quintet and the Jazz Messengers, recording the Columbia albums Round About Midnight, Milestones, and the marathon sessions for Prestige Records resulting in four albums collected on The Legendary Prestige Quintet Sessions.

Miles Davis Quintet:   

Miles Davis, trumpet
John Coltrane, tenor saxophone
Red Garland, piano
Paul Chambers, double bass
Philly Joe Jones, drums

Miles Davis - The Complete Columbia Album Collection - [52 albums - 70 CD, 2009/FLAC]

 

Miles Davis: The Complete Columbia Album Collection is a box set by jazz musician Miles Davis, released in 2009. It contains all the official releases on the Columbia Records label.

 

Billy Cobham– The Atlantic Years 1973-1978 [8 CD, 2015] (FLAC + 320)

 

At the dawn of the 1970s, Billy Cobham built his legend with his bandleader debut, Spectrum . Raw, daring and overflowing with adrenalin, the album topped the Billboard Jazz charts. Having played for Miles Davis, Horace Silver and Mose Allison, Billy Cobham had joined the legendary Mahavishnu Orchestra in 1971, before signing to Atlantic as a solo artist in 1973. Worshipped today as a titan of drumming, Billy Cobham's career is now in its fifth decade.

Herbie Hancock & Carlos Santana – Live Under Sky 1981 [2020/FLAC]

 

Live Under the Sky was an annual multi-day summer jazz festival held in Tokyo's 10,000-capacity Denen Hall, featuring the cream of local and international talent. The climax of 1981's festival, broadcast by NHK radio was a jointly headlined set by Herbie Hancock and Carlos Santana, together with a band including Wynton Marsalis, Ron Carter and Tony Williams. A joyous blend of jazz and Latin-tinged funk, it is presented in full here, together with background notes and images. 

•     Double Bass – Ron Carter
•     Drums – Anthony Williams
•     Electric Guitar – Carlos Santana
•     Grand Piano, Keyboards – Herbie Hancock
•     Percussion – Armando Peraza, Orestes Vilato, Raul Rekow
•     Trumpet – Wynton Marsalis

A1 Watermelon Man > Evil Ways > Watermelon Man 25:33

B1 'Round Midnight 7:24

B2 Parade 9:54

B3 Unknown #1 7:47

C1 A Quick Sketch 17:39

C2 Love Theme From Spartacus 8:37

C3 Unknown #2 (Fade Out) 2:59

D1 Unknown #2 (Cont.) 3:24

D2 Unknown #3 5:55

D3 Europa 9:08

D4 Saturday Night 11:28

Hossam Ramzy discography [1986-2011]

   

Hossam Ramzy (15 December 1953 – 10 September 2019) was an Egyptian percussionist and composer. He worked with Western artists like Jimmy Page and Robert Plant, Siouxsie Sioux, as well as with Arabic music artists like Rachid Taha and Khaled. 

Ramzy was born into a wealthy Cairo family. He began playing the darbuka and tabla at an early age. He moved to Saudi Arabia for a time and learned traditional Bedouin music styles. In the 1970s he moved to London and began playing with saxophonist Andy Sheppard. His collaborations with jazz musicians earned him the nickname "The Sultan of Swing". In 1989 he worked with Peter Gabriel on the soundtrack to Martin Scorsese's The Last Temptation of Christ. This brought him to the attention of artists such as Frank Asher and the Gipsy Kings.

Charlie Parker - A Studio Chronicle 1940-1948 [5 CD, 2003] (FLAC + 320)

  

A Studio Chronicle 1940-1948 is a five-disc box set detailing what producer Ted Kendall considers to be the essential studio recordings of saxophonist Charlie Parker. Included here are not only the innovative bebop sides that made Parker a living legend, but also the early Kansas City swing recordings he appeared on while playing with the Jay McShann Orchestra. The result is a studio history of Parker's development from a struggling farm kid turned musician to the most important figure in jazz history next to Louis Armstrong. Given that these recordings are widely available, the real attraction here is the faithful-to-the-original remastered sound, the historically enlightening liner notes, and the overarching critical aesthetic that these are the Bird cuts to check out. Also, given that the tracks are presented with few repeats on discs in chronological order makes this better listening than Atlantic's Complete Savoy and Dial Studio Recordings 1944-1948. Oddly though, the only place Kendall delineates what labels these tracks were originally released on -- mostly Dial and Savoy -- is in the track listing and there only by label numbers. Despite this confusing omission, Kendall has produced a superb collection that illuminates more than it overlooks.

Jay McShann collection 1956-2007 [FLAC]

 The great veteran pianist Jay McShann (also known as Hootie) enjoyed a long career and it is unfair to primarily think of him as merely the leader of an orchestra that featured a young Charlie Parker. He was mostly self-taught as a pianist, worked with Don Byas as early as 1931 and played throughout the Midwest before settling in Kansas City in 1936. McShann formed his own sextet the following year and by 1939 had his own big band. In 1940 at a radio station in Wichita, KS, McShann and an octet out of his orchestra recorded eight songs that were not released commercially until the 1970s; those rank among the earliest of all Charlie Parker records (he is brilliant on "Honeysuckle Rose" and "Lady Be Good") and also feature the strong rhythm section team McShann had with bassist Gene Ramey and drummer Gus Johnson. The full orchestra recorded for Decca on two occasions during 1941-1942 but they were typecast as a blues band and did not get to record many of their more challenging charts (although very rare broadcasts have since surfaced and been released on CD by Vintage Jazz Classics). In addition to Bird (who had a few short solos), the main stars were trumpeter Bernard Anderson, the rhythm section, and singer Walter Brown. McShann and his band arrived in New York in February 1942 and made a strong impression, but World War II made it difficult for any new orchestras to catch on. There was a final session in December 1943 without Parker, but McShann was soon drafted and the band broke up. After being discharged later in 1944, McShann briefly re-formed his group but soon moved to Los Angeles, where he led combos for the next few years; his main attraction was the young singer Jimmy Witherspoon.

McShann was in obscurity for the next two decades, making few records and mostly playing in Kansas City. In 1969 he was rediscovered and McShann (who had first sung on records in 1966) was soon a popular pianist/vocalist. Sometimes featuring violinist Claude Williams, he toured constantly, recorded frequently, and appeared at many jazz festivals, being active into the mid-'90s. Jay McShann, who recorded through the years for Onyx (the 1940 radio transcriptions), Decca, Capitol, Aladdin, Mercury, Black Lion, EmArcy, Vee Jay, Black & Blue, Master Jazz, Sackville, Sonet, Storyville, Atlantic, Swingtime, and Music Masters among others, was a vital pianist and an effective blues vocalist who keept a classic style alive. A live album, Hootie Blues, recorded in 2001 in Toronto and released in 2006 by Stony Plain, showed that McShann could still bring it at the age of 85. He died at the age of 90 on December 7, 2006.

1957 Jimmy Witherspoon & Jay McShann & His Band - Goin' To Kansas City Blues

1991 Paris All-Star Blues Featuring Jay McShann - A Tribute To Charlie Parker

1992 Ralph Sutton, Jay McShann - Last Of The Whorehouse Piano Players

1997 Jay McShann & Duke Robillard Band - Hootie's Jumpin' Blues

1998 Jay McShann - My Baby With The Black Dress On

1999 Jay McShann - What A Wonderful World

2000 The Jay McShann Trio - Hootie

2003 Jay McShann - Goin' To Kansas City

2006 Jay McShann - Hootie Blues