The House That Trane Built: The Story of Impulse Records is a four-disc set, compiled and annotated by author Ashley Kahn who wrote the book of the same name being published concurrently with its release. Impulse's great run was between 1961 and 1976 -- a period of 15 years that ushered in more changes in jazz than at any other point in the music's history. Impulse began recording in the last weeks of 1960, with Ray Charles, Kai Windig /J.J. Johnson, and Gil Evans. While Impulse experimented with 45s 33 1/3 EPs, cassettes, and reel to reel tapes later in its existence, it was--and this set focuses on-- it was the music on its LPs (with distinct orange and black packaging in gatefold sleeves containing copious notes) that helped to set them apart. Impulse was dedicated to ushering in the new and controversial, but also sought to showcase established artists from the tradition (maintaining the jazz lineage) who continued to work and develop. While the label is certainly associated more closely with John Coltrane than any other of its artists (Coltrane also acted as an ad hoc A&R man), it nonetheless established and forwarded the careers of dozens of jazzers.
VA - The House That Trane Built: The Story of Impulse Records (4 CD, 2006/FLAC)
The House That Trane Built: The Story of Impulse Records is a four-disc set, compiled and annotated by author Ashley Kahn who wrote the book of the same name being published concurrently with its release. Impulse's great run was between 1961 and 1976 -- a period of 15 years that ushered in more changes in jazz than at any other point in the music's history. Impulse began recording in the last weeks of 1960, with Ray Charles, Kai Windig /J.J. Johnson, and Gil Evans. While Impulse experimented with 45s 33 1/3 EPs, cassettes, and reel to reel tapes later in its existence, it was--and this set focuses on-- it was the music on its LPs (with distinct orange and black packaging in gatefold sleeves containing copious notes) that helped to set them apart. Impulse was dedicated to ushering in the new and controversial, but also sought to showcase established artists from the tradition (maintaining the jazz lineage) who continued to work and develop. While the label is certainly associated more closely with John Coltrane than any other of its artists (Coltrane also acted as an ad hoc A&R man), it nonetheless established and forwarded the careers of dozens of jazzers.
VA - Great Vocalists of Jazz & Entertainment [2004] Vol. 16-20 of 20
Volume 16. Peggy Lee — Everything I Love
Volume 17. Anita O’Day / June Christy — Easy Street
Volume 18. Jo Stafford — Fools Rush In
Volume 19. Frank Sinatra / Ivy Anderson — It Don’t Mean A Thing
Volume 20. Billie Holiday / Jimmy Rushing — Blue Skies
Sarah Vaughan – The Complete Roulette Sarah Vaughan Studio Sessions (8 CD, 2002/FLAC)
Sarah Vaughan recorded frequently during her three years with Roulette, and all 16 albums she completed for them plus five previously unissued tracks are included in this comprehensive eight-CD boxed set from Mosaic. The gifted singer is heard in a variety of settings, from superb small-group sessions to big-band settings and various dates bordering on easy listening; the sessions omitting the often syrupy string sections are the cream of this bumper crop. It's a joy to hear Vaughan sharing the spotlight with Joe Williams and the Count Basie Orchestra (with its leader sitting out in favor of her regular pianist, Kirk Stuart) in a swinging "Teach Me Tonight" and a playful take of "If I Were a Bell"; it's a shame that they never recorded an entire album together. Benny Carter's big-band charts also bring out the best in Vaughan. With the exception of the forgettable "The Green Leaves of Summer," Billy May's provides the vocalist with very compatible settings. The scaled-down session with guitarist Mundell Lowe and bassist George Duvivier is among her greatest achievements of her career; the singer is relaxed and stimulated by her accompanists. A similar follow-up date with Barney Kessel and Joe Comfort is equally rewarding. The sessions which add strings, led by various musicians (Jimmy Jones, Quincy Jones, Lalo Schifrin, Joe Reisman, Don Costa, and Marty Manning) serving as both arranger and conductor, vary greatly in quality. Often first-rate (and sometimes somewhat obscure) material is sabotaged by heavy-handed writing awash in strings. But for the most part, Vaughan's gorgeous voice is able to overcome even bland backgrounds. Mosaic remains the pinnacle of reissue labels with this handsome boxed set, which includes detailed liner notes by James Gavin, lots of session photos, and a thorough discography.
VA - Great Vocalists of Jazz & Entertainment [2004] Vol. 11-15 of 20
Volume 12. Mildred Bailey — It Had To Be You
Volume 13. Judy Garland — I’m Nobody’s Baby
Volume 14. Sarah Vaughan — If You Could See Me Now
Volume 15. Dinah Shore — Who’s Sorry Now
VA - Great Vocalists of Jazz & Entertainment [2004] Vol. 06-10 of 20
Volume 06. Billie Holiday — The Man I Love
Volume 07. Lena Horne — Stormy Weather
Volume 08. Andrews Sisters / Boswell Sisters — Bei Mir Bist Du Schön
Volume 09. The Mills Brothers — Swing Is The Thing
Volume 10. Ella Fitzgerald — My Man
VA- Blues, Boogie & Bop - The 1940s Mercury Sessions [7 CD, 1995]
VA - Great Vocalists of Jazz & Entertainment [2004] Vol. 01-05 of 20
Volume 02. Nat King Cole — It’s Only A Paper Moon
Volume 03. Perry Como — With A Song In My Heart
Volume 04. Bing Crosby — My Melancholy Baby
Volume 05. Louis Armstrong / Cab Calloway — Long Long Journey
Miles Davis - The Cellar Door Sessions 1970 [6 CD, 2005/FLAC]
The Cellar Door Sessions 1970 is a 2005 reissue of several 1970 concerts given by Miles Davis, at the Washington, DC nightclub, The Cellar Door.
Significant portions of Davis' Live-Evil were edited and compiled from the music that appears on discs 5 and 6.
It is one of the few recordings that has Keith Jarrett playing electric piano. Live-Evil and this collection are the only live recordings of John McLaughlin live performances with Miles Davis.
- Miles Davis: electric trumpet with Wah Wah
- Gary Bartz: soprano and alto sax:
- John McLaughlin: electric guitar (CDs 5-6 only)
- Keith Jarrett: Fender Rhodes electric piano, Fender electric organ
- Michael Henderson: electric bass
- Jack DeJohnette: drums
- Airto Moreira: percussion, Cuica (CDs 2-3-4-5-6)
VA - Jazz on Broadway: The Greatest Musicals [10 CD, 2019]
18 original albums in one budget-priced deluxe box with some of the greatest names in Jazz incl. Miles Davis, Chet Baker, and Oscar Peterson
- The greatest Broadway musicals of all time from Porgy & Bess to West Side Story in fantastic Jazz arrangements
- Also featuring hidden gems like Do-Re-Mi by June Christy and Bob Cooper or Blossom Dearie Sings Comden & Green.
Lionel Hampton - The Complete Victor Sessions 1937-1941 [5 CD, 2007/FLAC]
Garnished with a fistful of alternate takes, the 2007 release of Mosaic's 107-track Complete Lionel Hampton Victor Sessions 1937-1941 is a welcome and long overdue CD realization of The Complete Lionel Hampton 1937-1941, a six-LP box set released during the 1970s by the Bluebird label. Only Teddy Wilson came close to achieving what Hamp did in the late 1930s and early '40s, by bringing together the greatest soloists on the scene for a staggeringly productive and inspired series of recordings that essentially defined the state of jazz during the years immediately preceding the Second World War.