Nat King Cole - The Complete Capitol Recordings Of The Nat King Cole Trio {1942 - 1961} (18CD, 1991/FLAC) [reupload]

 

Music fans born after 1960 are less likely to be aware that Nat King Cole began his career as an influential jazz pianist, so much so that the great Art Tatum and the up-and-coming Oscar Peterson formed trios similar to Cole's. What this comprehensive limited-edition boxed set does is put all of Cole's jazz trio recordings, including later groups that added a conga player, selected tracks from sessions that sometimes border on easy listening, and nearly the complete contents of his well-known After Midnight album from the mid-'50s, where he was joined by guests including violinist Stuff Smith, saxophonist Willie Smith, trumpeter Harry "Sweets" Edison, and trombonist Juan Tizol. But the main emphasis is onCole's recordings from the early days, including masterpieces like "Straighten Up and Fly Right," "Sweet Lorraine," "Body and Soul," and "Sweet Georgia Brown." By listening to sessions in order, one can hear Cole gradually transform from an instrumentalist into a friendly singing pianist and eventually, a master balladeer. Of course, there are forgettable novelty tunes sprinkled in among the gems, but there are also valuable unissued tracks that appear for the first time in this set. Also, the early recordings have been pitch-corrected, as all issues prior to this 1991 Mosaic issue were slightly off. The 18-CD set is accompanied by a detailed booklet with vintage photos, excellent liner notes by Will Friedwald, and a complete discography of the contents. Unfortunately, this Mosaic box has been out of print since the mid-'90s, so it will typically fetch several times its original price when it pops up occasionally on auction lists. 




Al Di Meola - Electric Rendezvous [1982/FLAC]


 Electric Rendezvous is an album by jazz guitarist Al Di Meola that was released in 1982. It includes flamenco guitarist Paco de Lucía who recorded Friday Night in San Francisco with Di Meola.


Al di Meola's fifth of seven fusion albums as a leader for Columbia is a typically fiery effort, with di Meola joined by keyboardist Jan Hammer, electric bassist Anthony Jackson, drummer Steve Gadd, percussionist Mingo Lewis, and guest spots for flamenco guitarist Paco de Lucía ("Passion, Grace & Fire") and keyboardist Philippe Saisse. This lesser-known effort is easily recommended to fans of rock-ish jazz guitar. 

Personnel

  •     Al Di Meola – electric and acoustic guitars
  •     Paco de Lucía – acoustic guitar on "Passion, Grace & Fire"
  •     Anthony Jackson – bass guitar
  •     Jan Hammer – keyboards
  •     Philippe Saisse – keyboards on "Black Cat Shuffle"
  •     Steve Gadd – drums and percussion
  •     James Mingo Lewis – percussion

All songs by Al Di Meola unless otherwise noted.

  1.     "God Bird Change" (James Mingo Lewis) – 3:51
  2.     "Electric Rendezvous" – 7:47
  3.     "Passion, Grace & Fire" – 5:34
  4.     "Cruisin'" (Jan Hammer) – 4:16
  5.     "Black Cat Shuffle (Philippe Saisse) – 3:00
  6.     "Ritmo de la Noche" – 4:17
  7.     "Somalia" – 1:40
  8.     "Jewel Inside a Dream" – 4:02




Miles Davis & Gil Evans - The Complete Columbia Studio Recordings [6 CD, 2004/FLAC + 320]

  

From their first work together on the Birth of the Cool sessions in 1949, Miles Davis and Gil Evans forged a unique relationship as great soloist and brilliant arranger. The real opportunity to explore their shared vision didn't come until 1957, however, when Davis had forged a relationship with a major record label able to support it. Though a product of the big-band tradition, Evans was never limited by sectional voicings and riffs. He had an interest in unusual instrumentation and a talent for creating subtle mixes of distinct voices, adding French horns, oboe, bassoon, and harp to the conventional big band and thinning its saxophone, trumpet, and trombone sections. His arrangements for Davis are like settings for the finest jewels, whether he's creating rich, brass chords or adding only light percussion to the trumpeter's solitary lament. Together Davis and Evans produced three orchestral masterpieces: Miles Ahead (1957), Porgy and Bess (1958), and Sketches of Spain (1960). They're all here, along with less-inspired, later projects like the Quiet Nights bossa nova album. What most distinguishes the box set is the archival work of Phil Schaap, who has compiled a wealth of alternate takes. They reveal much about the processes that went into these works, including extensive editing and even some overdubbing. As early as 1957, Evans and Davis were already beginning to use the studio itself as an integral part of their music.





 

Kenny Burrell - All Day Long / All Night Long (2 CD, 2010/FLAC)

 

These two Prestige LPs were recorded within a week of each other in '57, and find the young guitar great flanked by the likes of Donald Byrd, Hank Mobley and Tommy Flanagan. Includes both epic title tracks; Boo-Lu; Slim Jim; A.T. , and more! 

Jackie McLean - 'Bout Soul [1967/FLAC]


 'Bout Soul is an album by American saxophonist Jackie McLean recorded in 1967 and released on the Blue Note label.It features McLean in a quintet with trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scotty Holt and drummer Rashied Ali. Trombonist Grachan Moncur III guests on three tracks, and Barbara Simmons recites the words on “Soul”.


Personnel

  •     Jackie McLean – alto saxophone
  •     Woody Shaw – trumpet (tracks 1–3, 5 & 6)
  •     Grachan Moncur III – trombone (tracks 1, 2 & 5)
  •     LaMont Johnson – piano
  •     Scotty Holt – bass
  •     Rashied Ali – drums
  •     Barbara Simmons – recitation (track 1)


  1.     "Soul" (Grachan Moncur III, Barbara Simmons) - 10:17
  2.     "Conversion Point" (Jackie McLean) - 9:47
  3.     "Big Ben's Voice" (LaMont Johnson) - 10:08
  4.     "Dear Nick, Dear John" (Scotty Holt) - 4:56
  5.     "Erdu" (Johnson) - 5:57
  6.     "Big Ben's Voice" [Alternate take] - 9:55 Bonus track on CD reissue







John Coltrane - European Tour 1961 (7 CD, 2017) [FLAC]

 
The 1961 European tour took place from November 11 through December 4, and immediately followed the Coltrane quintet's stay at the Village Vanguard (captured on Coltrane "Live" at the Village Vanguard and The Complete 1961 Village Vanguard Recordings). During the tour, the group was paired with the Dizzy Gillespie Quintet. The tour consisted of a UK portion (Kilburn (London), Birmingham, Glasgow, Newcastle, Leicester, Brighton, and Walthamstow (London)) from November 11 - 17, followed by a continental visit (Paris, Scheveningen, Amsterdam, Copenhagen, Gothenburg, Helsinki, Stockholm, Hannover, Hamburg, Copenhagen (again), Stuttgart, Düsseldorf, Frankfurt am Main, Nuremberg, Munich, Berlin, and Baden-Baden) from November 18 - December 4.






Clifford Jordan - Night of the Mark VII [1975/FLAC]

 

Night of the Mark VII is a live album by saxophonist Clifford Jordan which was recorded in 1975 and first released on the Muse label.

  •     Clifford Jordan – tenor saxophone
  •     Cedar Walton – piano
  •     Sam Jones – bass
  •     Billy Higgins – drums

  1.     "John Coltrane" (Bill Lee) – 7:45
  2.     "Highest Mountain" (Clifford Jordan) – 6:02
  3.     "Blue Monk" (Thelonious Monk) – 7:20
  4.     "One for Amos" [listed as Midnight Waltz on all issues] (Sam Jones) – 10:53
  5.     "Midnight Waltz" [listed as One for Amos on all issues] (Cedar Walton) – 10:49




Brian Lynch Big Band - The Omni-American Book Club: My Journey Through Literature in Music (2 CD, 2019/FLAC)

 

Recorded at The L. Austin Weeks Center for Recording and Performance, Frost School Of Music, Coral Gables, FL in May 2019.

Brian Lynch - leader, trumpet
Tom Kelley - alto saxophone (lead), soprano saxophone, flute
David Leon - alto saxophone, flute, clarinet
Gary Keller - tenor saxophone, soprano saxophone, flute, clarinet
Chris Thompson-Taylor - tenor saxophone, clarinet
Mike Brignola - baritone saxophone, bass clarinet
Dante Luciani - lead trombone
Carter Key, Steven Robinson - trombone
John Kricker - bass trombone
Michael Dudley - lead trumpet
Jean Caze, Jason Charos, Alec Aldred - trumpet
Alex Brown - piano
Lowell Ringel - bass
Boris Kozlov - electric bass (#2,5,10)
Kyle Swan (#2,4,6,9-11), Hilario Bell (#3,5,7,8) - drums
Murph Aucamp, Little Johnny Rivero (#5,8) - percussion
with guests:
Dafnis Prieto - drums (#1)
Orlando "Maraca" Valle - flute (#1)
Donald Harrison (#2), Jim Snidero (#6) - alto saxophone
David Liebman - soprano saxophone (#3)
Regina Carter - violin (#4)







CD1 

01. Crucible for Crisis (Lynch) - 12:08
02. The Struggle Is in Your Name (Lynch) - 8:59
03. Affective Affinities (Lynch) - 8:05
04. The Trouble with Elysium (Lynch) - 13:33
05. Inevitability and Eternity (Lynch) - 10:05
06. Tribute to Blue (Mitchell) (Lynch) - 8:34


CD2 

01. Opening Up (Lynch) - 10:15
02. Africa My Land (Lynch) - 11:09
03. Woody Shaw (Lynch) - 8:44
04. The Struggle Is in Your Name (Extended Version) (Lynch) - 12:24
05. Woody Shaw (Extended Version) (Lynch) - 12:12 

Association P.C. with Jeremy Steig / Cologne

Jeremy Steig and the musicians of Association P.C. first met at the "Jazz Now!" festival held in Munich during the Olympic Summer Games 1972. It was there that they decided to work together. The first joint tour in the summer of 1973 produced the recordings that were released as "Mama Kuku". More tours followed, the last (together with Jeremy Steig) being a big tour in Asia and Northern Africa which was promoted by the Goethe-Institut, Germany’s cultural institute.

 Recorded live 6 October 1973, WDR Radio, Cologne (Köln), Germany




Joachim Kühn - Fender Rhodes electric piano, Acoustic piano (CD2 Track 2)
Jeremy Steig - Flutes
Siggi Busch - Bass
Pierre Courbois - Drums, Percussion







Herbie Hancock - Feets Don't Fail Me Now (1979) [2015/FLAC]

 

Herbie Hancock's electric records up until this point were marked by intelligence and adventure, even at their most earthy. But no, this one doesn't have an ounce of either. Herbie falls hook, line and sinker for the disco fad and submerges his personality underneath the plastic vocals and four-on-the-floor disco beat. Hancock's own gauzy vocals through a Sennheiser vocoder are embarrassing, and even his synthesizer work sounds coarse and gimmicky. This time, even the purists were right; this is of no interest to jazz listeners and it isn't even good disco.

  • Keyboards, Vocals – Herbie Hancock
  • Bass – Ed Watkins
  • Drums – James Gadson
  • Guitar – Ray Obiedo
  • Percussion – Bill Summers
  • Backing Vocals – Julia Tillman Waters, Luther Waters, Maxine Willard Waters, Oren Waters