Don Pullen - Mosaic Select 13 (3 CD, 2004/FLAC)


 The 13th volume in Mosaic's limited-edition Select series showcases the late work of the late pianist and composer Don Pullen. Contained within the box are the two fine albums by the George Adams-Don Pullen Quartet, Breakthrough and Song Everlasting. These two recordings were the first the pair had done domestically. The band's previous output was released on Soul Note, and musically very good. Both Blue Note albums are simply stunning. The interplay between the pianist and saxophonist Adams was near symbiotic and was augmented by the stellar rhythm section of bassist Cameron Brown and drummer Dannie Richmond. Three of the four men -- excepting Brown -- were alumni of the Charles Mingus band. These two albums are the best of what post-bop jazz had to offer in the 1980s. Special highlights are Pullen's "Song From the Old Country," Adams's "A Time for Sobriety" and "Serenade to Sariah," and Pullen's brilliant "Sing Me a Song Everlasting." The other two sides here are trio dates recorded for Blue Note. New Beginnings, issued in 1988, featured bassist Gary Peacock and Tony Williams, and Random Thoughts, issued in 1990, placed Pullen in the company of James Genus on bass and Lewis Nash on drums. While the name recognition on New Beginnings is high, the performances are inconsistent, largely because Pullen was trying to juxtapose a more groove-oriented piano trio approach against the outside nature of his '60s playing. It is interesting throughout though not terribly rewarding. Random Thoughts, however, feels like a more natural fit and one in which the pianist and composer's rhythmic ideas and solo proficiencies were better matched to his rhythm section. The tunes are more lyrical and flowing, even when coming from different directions at once. Ultimately, these four albums make up for a great renaissance in Pullen's career. All four albums have been wonderfully remastered. 




 

Kenny Drew Trio - The 20th Memorial - 1978-1992 (15 CD, 2013


A collection of previously unreleased materials by the Kenny Drew Trio, originally recorded for Japanese labels Baystate and Alpha beween 1972 and 1992, now released to commemmorate the 20th anniversary of his passing. A rich trove of superb piano trio performances!

American pianist Kenny Drew (1928-1993) moved to Copenhagen, Denmark, in 1964. Although he may have somewhat faded from the radar of American jazz fans, he had a fantastic career in Denmark and was beloved by European and Japanese jazz fans. In the late 1970s and 1980s, Drew's popularity in Japan grew to incredible heights when he began recording for Japanese labels such as Baystate and Alpha under a partnership with Japanese producer Makoto Kimata.

To commemmorate the 20th anniversary of Drew's passing, a very special series was launched in Japan in 2013, with a release of previously unpublished materials recorded for the two labels between 1972 and 1992. They are alternate takes and takes that did not make onto the original albums released in this period. Danish super-bassist Niels-Henning Orsted Pedersen held the bass chair throughout, and the drummer is either Ed Thigpen, a fellow American expat who had settled in Copenhagen, or Alvin Queen.

It is quite amazing to hear the consistently high quality of these "outtakes" and to realize that there is enough material to fill 15 CDs in this series. Actually, many these "outtakes" tend to be more exciting than those takes that made the original albums. They may have been "cut" because they were slightly rough around the edges, but perhaps they were played with more freedom, abandon, and adventurous spirit. 



PCCY-30204 - Kenny's Music Still Live On: The Days of Wine and Roses (1978-1992) {50:40}
PCCY-30205 - Kenny's Music Still Live On: Les Parapluies de Cherbourg (1978-1992) {49:06}
PCCY-30206 - Kenny's Music Still Live On: Misty (1978-1992) {50:02}
PCCY-30207 - Kenny's Music Still Live On: Take the 'A' Train (1978-1992) {46:20}
PCCY-30208 - Kenny's Music Still Live On: Lullaby of Birdland (1978-1992) {49:21}
PCCY-30209 - Kenny's Music Still Live On: Smoke Gets in Your Eyes (1978-1992) {50:54}
PCCY-30210 - Kenny's Music Still Live On: Live in Tokyo (1991) {59:34}
PCCY-30211 - Piano Night (1992) {57:29}
PCCY-30212 - Nature Beauty (1978-1980) {54:08}
PCCY-30213 - Live for Peace (1990) {67:05}
PCCY-30214 - A Child Is Born (1978) {44:46}
PCCY-30215 - Hush-A-Bye (1978) {41:27}
PCCY-30216 - Sophisticated Lady (1981) {41:32}
PCCY-30217 - Portrait: Oboe Concerto (1982-1991) {47:10}
PCCY-30218 - Season's Greetings (1988-1989) {37:23}

 

VA - The Jazz Box Set (3 CD, 1996/FLAC)

 







CD1

1. Stan Getz - Autumn Leaves
2. Dave Brubeck - Blue Rondo A La Turk
3. Stéphane Grappelli - Fascinating
4. Kai Winding - Morning Of The Carnival
5. Gerry Mulligan - Apple Core
6. Dizzy Gillespie - Slewfoot
7. Phil Woods - Caravan
8. Wynton Marsalis - My Funny Valentine
9. Chick Corea - Moment's Notice
10. Gary Burton - African Flower
11. Art Blakey & The Jazz Messengers - Wheel Within A Wheel
12. Michał Urbaniak - Softly As A Morning Sunrise

CD2

1. Teddy Wilson - The Man I Love
2. Dexter Gordon - Lullaby Of Birdland
3. Woody Herman - Mood Indigo
4. Harold Betters - Girl From Ipenama
5. Lionel Hampton - Misty
6. Johnny Griffin - Hush-A-Bye
7. Stéphane Grappelli & Phil Woods - Star Eyes
8. Stan Getz / Paul Horn - Nature Boy
9. Gerry Mulligan - Song For Johnny Hodges
10. Kai Winding - Crazy He Calls Me
11. Lionel Hampton - This Could Be The Start Of Something Big
12. Bucky Pizzarelli - Volare

CD3

1. Art Blakey - Moanin'
2. Gerry Mulligan - Line For Lyons
3. Stéphane Grappelli - How Hig The Moon
4. Lionel Hampton - Undecided
5. Dave Brubeck - Take 5
6. Woody Herman - Early Autumn
7. Buddy Rich - Take The 'a' Train
8. Wynton Marsalis - 'round Midnight
9. Thelonious Monk - Off Minor
10. Kai Winding - Yardbird Suite
11. Dexter Gordon - Seven Come Eleven
12. Johnny Griffin - If I Should Lose You

Bennie Moten's Kansas City Orchestra - Chronogical Classics 1923-1932 (4 CD/FLAC)

 Bennie Moten (November 13, 1894 – April 2, 1935) was a noted American jazz pianist and band leader born in Kansas City, Missouri.
He led the Kansas City Orchestra, the most important of the itinerant, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s Big Bands.





Enrico Rava — The Complete Remastered Recordings On Black Saint & Soul Note (5 CD, 2010/FLAC)


Five of Italian trumpeter Enrico Rava's Black Saint and Soul Note recordings have been reissued by CAM Jazz in one of those pretty white box sets with each LP reproduced as a separate CD tucked into a miniature record jacket. Born at Trieste in 1939, Rava later attributed his lifelong pursuit of modern jazz to the influence of Miles Davis. One might add Don Cherry and Freddie Hubbard to that equation, along with maybe Richard Williams and Lee Morgan. In order to fully comprehend what he was up to from the '70s onward, it is important to consider the artistic company that Rava kept during the ‘60s. 




 

Charles Tolliver - Mosaic Select 20 (3 CD, 2005/FLAC)


 Mosaic gets plenty of accolades for its expansive (and sometimes exhaustive) limited-edition box sets of historic jazz recordings, and deservedly so. Some years after they started their project, president Michael Cuscuna and company got the idea to release smaller, three-disc sets by artists who either weren't as appreciated as they should be, or had recordings that were unavailable and that filled in important eras in their careers. The Mosaic Select series has a tremendous catalog with triple-disc sets by Curtis Amy, John Patton, Carmell Jones, a pair by Andrew Hill, Grachan Moncur, Johnny Mercer, Onzy Matthews, Bobby Hutcherson, Art Pepper, Randy Weston, Johnny Richards, and more. 

Charles Tolliver's volume in this series is an important one. First of all, these recordings were not owned by Blue Note or any of Capitol's subsidiaries; they are owned by the artist, and originally appeared on Strata East, a label he co-founded with the pianist on these dates, Stanley Cowell. It was a musician's label that recorded some of the greatest jazz music of the 1970s and was well distributed. (Unfortunately, with very few exceptions -- and a real comment on the record industry here in the U.S. -- the only way to procure most Strata East recordings on CD these days is from Japan.) Secondly, most of these sides were cut live at Slug's Saloon, a legendary, long gone spot on the Lower East Side of Manhattan in a space now occupied by the Nuyorican Poet's Café (at least it was put to great use). Slug's was the go-to joint for musicians who were still developing the "new thing" after Coltrane, who played regularly and collaborated with one another. Its audience was hip and sophisticated and deeply interested in what was going on musically in the '70s. Lastly, Tolliver himself went all out to find more of the music recorded on these dates, and there are six selections, roughly a full CD, of completely unreleased music from the Slug's gigs. 

Charles Tolliver - trumpet
Stanley Cowell - piano
Cecil McBee - bass
Jimmy Hopps - drums
Clint Houston - bass
Clifford Barbaro - drums




 

Buddy Tate - Body & Soul (1975/2018/FLAC-HD)


Buddy Tate
was one of the most relaxed, humorous and amenable of musicians, with a personal style that was glowingly reflected in the supple and occasionally gently mocking elegance of his saxophone playing. Like many of the lyrical and romantic jazz performers of his era, Tate could perform miniature miracles with minimal materials. Shuffling a handful of soft, buttery notes and mingling them with a textural repertoire of intimately whispering intonations, was one of the most agreeable experiences in postwar jazz. But Tate could also be an exciting, hard-swinging player too, and his control of the horn in its upper register predated many of the technical advances in saxophone playing that were made by the modernists in hard bop and the avantgarde.
 





  • Buddy Tate - ts, vo on 3
  • Tete Montoliu - p
  • Bo Stief - b
  • Svend Eric Nørregaard - d
  • Finn Ziegler - vln on 2, 4
Recorded at La Fontaine, Copenhagen, September 23, 1975.


01. Stompin' At The Savoy (7:12)
02. Body And Soul (Live) (8:54)
03. Buddy's Blues (7:45)
04. In A Mellow Tone (17:30)
05. I Surrender Dear (3:32)

Sarah Vaughan - A Miracle Happened (Quadromania, 4 CD, 2005/FLAC)

 








CD1
01. If You Could See Me Now
02. Don't Worry 'Bout Me
03. Penthouse Serenade (When We're Alone)
04. Don't Blame Me
05. I Can't Get Started
06. The One I Love Belongs to Somebody Else
07. I'm Gonna Sit Right Down and Write Myself a Letter
08. Black Coffee
09. As You Desire Me
10. Bianca
11. While You Are Gone
12. Just Friends
13. You Taught Me to Love Again
14. Lonely Girl
15. Fool's Paradise
16. You Say You Care
17. You're Mine, You

CD2
01. The Nearness of You
02. I'm Crazy to Love You
03. I Love You
04. Ev'ryday (I Fall in Love)
05. Dedicated to You
06. You're All I Need
07. Don't Be Afraid
08. Our Very Own
09. East of the Sun (West of the Moon)
10. Nice If You Can Get It
11. Can't Get Out of This Mood
12. Mean to Me
13. Come Rain or Come Shine
14. It Might as Well Be Spring
15. Ain't Misbehavin'
16. Goodnight My Love
17. Whippa-Whippa-Woo

CD3
01. Thinking of You
02. Ooh, What 'Cha Doin' to Me
03. Deep Purple
04. Vanity
05. My Reverie
06. After Hours
07. Just a Moment More
08. Pinky
09. A Miracle Happened
10. I Ran All the Way from Home
11. Time to Go
12. Corner to Corner
13. Street of Dreams
14. If Someone Had Told Me
15. Say You'll Wait for Me
16. Mighty Lonesome Feelin'
17. Sinner or Saint

CD4
01. I'll Know
02. These Things I Offer You
03. I Confess
04. A Blues Serenade
05. Can't Get Out of This Mood
06. Shulie a Bop
07. Lover Man
08. They Can't Take That Away from Me
09. Prelude to a Kiss
10. Polka Dots and Moonbeams
11. Body and Soul
12. Make Yourself Comfortable
13. You're Not That Kind
14. September Song
15. He's My Guy
16. April in Paris
17. Lullaby of Birdland

Blue Note Works 4000-4100 series [4051-4060]

 
...The Modern Jazz Series continued into the 1970s with the LPs listed below. Many were issued in both monaural versions (BLP series) and stereo versions (BST 84000 series).  Most of the 4000 series have been reissued by Toshiba-EMI in Japan ("Blue Note Works 4000" series); the catalog numbers are TOCJ-4###



BN.4051- Jackie McLean- 1959- Jackie's Bag {RVG Remaster}
BN.4052- Tina Brooks- 1960- Back to the Tracks
BN.4053- Lou Donaldson- 1958- Light-Foot
BN.4054- Art Blakey & The Jazz Messengers- 1960- Meet You At The Jazz Corner Of The World vol.1
BN.4055- Art Blakey & The Jazz Messengers- 1960- Meet You At The Jazz Corner Of The World vol.2
BN.4056- Freddie Hubbard- 1960- Goin' Up
BN.4057- Stanley Turrentine With The Three Sounds- 1960- Blue Hour. The Complete Sessions
BN.4058- Hank Mobley- 1960- Roll Call {RVG Remaster}
BN.4059- Kenny Drew- 1960- Undercurrent {RVG Remaster}
BN.4060- Donald Byrd- 1960- At the Half Note Cafe vol.1 {RVG Remaster}






Scott Hamilton dicography [1977-2021]

 
Scott Hamilton (born 12 September 1954) is a jazz tenor saxophonist, associated with swing (music) and mainstream jazz.

He emerged in the 1970s and at the time he was considered to be one of the few musicians of real talent who carried the tradition of the classic jazz tenor saxophone in the style of Ben Webster, Coleman Hawkins as well as Zoot Sims and Don Byas forward. He began playing in various rhythm & blues outfits in Providence (Rhode Island), but subsequently shifted to jazz and the tenor saxophone. In 1976 he moved to New York City at, in part the recommendation of Roy Eldridge. He there joined Benny Goodman for a period of time and in 1977 recorded his debut album for Concord Records, with whom he would have a long recording career in his own name and as one of their Concord Jazz All Stars. He also worked as a backing musician for singer Rosemary Clooney and others.

In the early 1980s he had formed his own quintet and toured all over the world. By then free from his drinking habit, in 1982 he had matured sufficiently to be able to break away from the spell of mainly Ben Webster and Zoot Sims, whom he had been criticized of imitating. From this point on both his playing and his tone were very much his own.

Living in New York City, he toured all around the world during the 1980s, playing Japan and all over Europe. He was in particular a recurrent visitor to the UK, Sweden and the Grande Parade du Jazz, held in Nice, France. By the early 1990s he was ready for a next step and by 1994 when he released Organic Duke, he had developed a quite singular style: a large, well-rounded but still focused tone and improvising, ostensibly still based on the swing idiom (especially Ellington), but incorporating more modern elements. During this period, he relocated to London, and formed his current quartet, featuring British musicians John Pearce (p), Dave Green (b) and Steve Brown (dr), with whom he recorded East of the Sun in 1993. (East of the Sun features Brian Lemon on piano, not John Pearce.) He is currently active touring all over Europe.