Jazz Cafee

Blue Note Works 4000-4100 series [4041-4050]

...The Modern Jazz Series continued into the 1970s with the LPs listed below. Many were issued in both monaural versions (BLP series) and stereo versions (BST 84000 series). Most of the 4000 series have been reissued by Toshiba-EMI in Japan ("Blue Note Works 4000" series); the catalog numbers are TOCJ-4###

BN.4041- Tina Brooks- 1960- True Blue {RVG Remaster}
BN.4042- Horace Silver- 1960- Horace-Scope {RVG Remaster}
BN.4043- Horace Parlan- 1960- Speakin' My Piece
BN.4044- The Three Sounds- 1960- Moods
BN.4045- Freddie Redd- 1960- Shades of Redd {RVG Remaster}
BN.4046- Duke Jordan- 1960- Flight To Jordan {RVG Remaster}
BN.4047- Art Taylor- 1960- A.T.'s Delight {RVG Remaster}
BN.4048- Donald Byrd- 1960- Byrd in Flight
BN.4049- Art Blakey & The Jazz Messengers- 1960- A Night In Tunisia {RVG Remaster}
BN.4050- Jimmy Smith- 1959- Home Cookin' {RVG Remaster}

Ken Burns Jazz: The Story of America's Music [ 5 CD soundtrack to documentary series, 2000/FLAC]

In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of the history of 20th century jazz. The central release of this program is the five-CD box set Ken Burns Jazz: The Story of America's Music, its 94 selections covering the history of 20th century jazz, from 1917 to the mid-'90s. Chronologically, the set is very skewed toward the first 50 years of that time span; there is only just under a CD's worth of music dating from after the mid-'60s. What's here is a very good range of classic jazz from throughout the decades, touching upon performances, many acknowledged classics, from many of the music's giants: Louis Armstrong, Duke Ellington, Benny Goodman, Billie Holiday, Dizzy Gillespie, Charlie Parker, Thelonious Monk, John Coltrane, Miles Davis, Ornette Coleman, and up to Wynton Marsalis and Cassandra Wilson. There are just a few dubious inclusions (Grover Washington, Jr.'s "Mister Magic," for instance), and as music it's nearly wall-to-wall excellence. As far as core classics of the jazz repertoire, there are quite a few: Armstrong's "West End Blues," Goodman's "Sing, Sing, Sing (With a Swing)," Count Basie's "Lester Leaps In," Holiday's "Strange Fruit," Ellington's "Take the 'A' Train," Gillespie's "Salt Peanuts," Monk's "Straight, No Chaser," Davis' "So What," Dave Brubeck's "Take Five," Coltrane's "Giant Steps," Weather Report's "Birdland," and Hancock's "Rockit." As education, if you didn't know much about jazz before hearing this box, you'll have been exposed to a good deal of its major touchstones after digesting it. Just don't be under the impression that it covers all of the main mileposts, or even that it gives you all of the key launching pads from which to explore further.

David Liebman's transitional album Pendulum, his first live-performance recorded effort on the Ornette Coleman-directed, John Snyder-produced Artists House label, was logically an extension of the Open Sky trio and Lookout Farm recordings he did in the earlier part of the 1970s. This three-CD set is a departure for the Mosaic Select series, in that they include the complete 1979 issued Pendulum recording, and add two further full-length, previously unissued offerings done at the Village Vanguard. The original complement of Liebman, pianist Richie Beirach, and bassist Frank Tusa had been expanded to include trumpeter Randy Brecker, and drummer Al Foster replacing Bob Moses. While mainly a blowing session on standards and removed from the improvisationally inclined smaller combos, the recording reflects Liebman's still devout lineage derived from the tenor sax of John Coltrane, while also exploring possibilities on the soprano sax that he took up, abandoned for a time, and brought back to his heart in a more enduring manner.

David Liebman - saxophone
Randy Brecker - trumpet
Richie Beirach - piano
Frank Tusa - bass
Al Foster - drums

1-1 Pendulum
1-2 Picadilly Lilly
1-3 Footprints

2-1 There Is No Greater Love
2-2 Solar
2-3 Picadilly Lilly
2-4 Night And Day

3-1 Blue Bossa
3-2 Well You Needn't
3-3 Bonnie's Blue
3-4 Impressions

Erroll Garner - Chronogical Classics 1944-1954 (17 CD)

Erroll Louis Garner (June 15, 1923 – January 2, 1977) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz standard.

Garner's first recordings were made in late 1944 at the apartment of Timme Rosenkrantz; these were subsequently issued as the five-volume Overture to Dawn series on Blue Note Records. His recording career advanced in the late 1940s when several sides such as "Fine and Dandy" and "Sweet 'n' Lovely" were cut. However, his 1955 live album Concert by the Sea was a best-selling jazz album in its day and features Eddie Calhoun on bass and Denzil Best on drums. This recording of a performance at the Sunset Center, a former church in Carmel-by-the-Sea, California, that was to be shared with Korean War veterans at a nearby army base, was made using relatively primitive sound equipment, but for George Avakian the decision to release the recording was easy. Other works include 1951's Long Ago and Far Away and 1974's Magician, both of which see Garner perform a number of classic standards. Often the trio was expanded to add Latin percussion, usually a conga.

In 1964, Garner appeared in the UK on the music series Jazz 625 broadcast on the BBC's new second channel. The programme was hosted by Steve Race, who introduced Garner's trio with Eddie Calhoun on bass and Kelly Martin on drums.

Since Garner could not write down his musical ideas, he used to record them on tape, to be later transcribed by others.

Erroll Garner - 1944 {The Chronological Classics, 802} [77:36]
Erroll Garner - 1944, Vol. 2 {The Chronological Classics, 818} [72:01]
Erroll Garner - 1944, Vol. 3 {The Chronological Classics, 850} [69:54]
Erroll Garner - 1944-1945 {The Chronological Classics, 873} [70:53]
Erroll Garner - 1945-1946 {The Chronological Classics, 924} [56:53]
Erroll Garner - 1946-1947 {The Chronological Classics, 1004} [66:11]
Erroll Garner - 1947-1949 {The Chronological Classics, 1109} [68:58]
Erroll Garner - 1949 {The Chronological Classics, 1138} [67:43]
Erroll Garner - 1949, Vol. 2 {The Chronological Classics, 1182} [64:03]
Erroll Garner - 1949-1950 {The Chronological Classics, 1205} [70:09]
Erroll Garner - 1950 {The Chronological Classics, 1240} [72:50]
Erroll Garner - 1950-1951 {The Chronological Classics, 1310} [71:31]
Erroll Garner - 1951-1952 {The Chronological Classics, 1341} [65:51]
Erroll Garner - 1952-1953 {The Chronological Classics, 1370} [76:00]
Erroll Garner - 1953 {The Chronological Classics, 1391} [73:55]
Erroll Garner - 1953-1954 {The Chronological Classics, 1423} [72:25]
Erroll Garner - 1954 {The Chronological Classics, 1447} [76:13]

VA - Hans Mantel : Blue Note Highlights: A Groove Selection (8 CD, 2009/FLAC)

The impact of 1960s hard bop (a late descendent of bebop with more explicit blues, gospel and R&B connections) is highlighted in this eight-CD addition to the famous Blue Note label's 70th anniversary celebrations. It is a collection of often hard-grooving music chosen by the Dutch bassist and Blue Note buff Hans Mantel.

1 - Saxophone #1:

2 - Saxophone #2

3 - Trumpet

4 - Piano

5 - Organ

6 - Bands & Leaders #1

7 - Bands & Leaders #2

8 - Extra Vocal

The Lost Recordings found the master tapes of this double recital in the Berlin radio archives. How can one not be transported by this concert, which delivers a previously unreleased version of the tracks from the legendary 1964 album on Verve? The label is offering the world premiere of this concert recorded at the Berlin Philharmonic, as part of the 1966 Berliner Jazztage. The 19 tracks of this now unforgettable concert are added to the collection with, as always, an unequalled sound quality, thanks to the Phoenix Mastering® process

The concert given by Stan Getz's quartet with Astrud Gilberto on November 4, 1966, was a sort of contretemps. In these crazy years when everything is rushing, things have indeed changed in the lives and careers of the two main protagonists who, after a fleeting romance, have each regained their personal and artistic independence.

After a brief romantic idyll together, each one returned to their private lives and resumed their independence as artists. Verve had brought out a series of albums by Astrud Gilberto where seductive easy listening intermingled with cool jazz, sentimental pop and languid Brazilian groove. She was at the very pinnacle of her fame, while Getz had made a remarkable comeback to jazz. Once again, he worked with arranger Eddie Sauter, this time on the soundtrack of Arthur Penn’s Mickey One. Even more noteworthy was his discovery of vibraphonist Gary Burton, barely twenty years old, the ideal musician with whom to form a regular jazz quartet with Gene Cherico on bass and Joe Hunt on drums. It was an ensemble that was receptive to new sounds and harmonic ventures.

CD 1

On Green Dolphin Street (06:48)
Introduction by Stan Getz (00:52)
The Singing Song (03:12)
The Shadow of Your Smile (05:10)
O Grande Amor (06:41)
Blues Walk (06:37)
Once Upon a Summertime (06:42)
Edelweiss (04:16)
Medley: Desafinado / Chega De Saudade (06:50)

CD 2

Samba De Uma Nota So (03:43)
The Shadow of Your Smile (03:04)
Voce E Eu (Eu E Voce) (02:40)
Corcovado (04:26)
The Telephone Song (02:00)
It Might As Well Be Spring (04:14)
The Girl from Ipanema (04:11)
Announcement by Stan Getz (00:38)
Jive Hoot (09:04)
Goodbye by Stan Getz (00:57)

Toshiko Akiyoshi-Lew Tabackin Big Band - Mosaic Select 33 (3 CD, 2008/FLAC)

The Toshiko Akiyoshi-Lew Tabackin Big Band was the premier recording and touring ensemble of its time in the mid- to late '70s, recording five albums for the RCA Victor label, and stunning audiences with sheer virtuosity and the charts of the Japanese born pianist. A symmetry between Asian culture and American bop made this orchestra most unique, exciting, and above all, highly original.

This three-CD set contains the quintuple RCA studio recordings that set a high bar for all others to follow, and gave stiff competition to people like Gil Evans. Akiyoshi wrote music well suited to her rising stars and established veterans, while Tabackin was given more than ample opportunity to express himself on tenor sax, and especially his vibrant flute. This band also grew talent that would go on to become leaders, including Bobby Shew and Gary Foster, those who developed into section leaders like Phil Teele, Bill Reichenbach, and Dick Spencer, and trusted veterans Britt Woodman, Bill Perkins, Don Rader, and King Errison.

If you do not already own these recordings and are a progressive big-band fan, it is in your interest to search for this quintessential collection. Mosaic Select has hit a grand slam with this reissue, featuring a band in their early years that has hit on all cylinders since its inception, and never lets off the gas. It comes with an absolute highest recommendation.

Available in a box set as either three LPs or two CDs, this limited-edition release has all of the music recorded at pianist Freddie Redd's three Blue Note sessions. In addition to the selections originally included on the LPs Music From the Connection and Shades of Redd, there is a completely unissued date that adds to the fairly slim Freddie Redd discography. Altoist Jackie McLean (who is on all three sets) and tenor saxophonist Tina Brooks (a key soloist on two) co-star with the pianist; trumpeter Benny Bailey is also heard from the later date. The music is comprised mostly of Redd's originals (including seven songs written for the stage play The Connection) and fits into the style of the mainstream hard bop of the day, although with a few personal touches. Straight-ahead fans and Blue Note collectors can consider this set to be essential.

Disc I

01. Who Killed Cock Robin (5:22)

02. Wigglin' (5:59)

03. Music Forever (5:57)

04. Time To Smile (6:25)

05. Them For Sister Salvation (4:46)

06. Jim Dunn's Dilemma (5:39)

07. O.D. (4:47)

08. The Thespian (7:00)

09. Blues, Blues, Blues (5:59)

10. Shadows (7:26)

11. Melanie (Alt. Tk) (5:25)

Disc II

01. Melanie (5:05)

02. Swift (4:01)

03. Just A Ballad For My Baby (4:13)

04. Ole (6:29)

05. Ole (Alt. Tk) (7:41)

06. Now (7:14)

07. Cute Doot (6:17)

08. Old Spice (7:05)

09. Blues For Betsy (5:02)

10. Somewhere (5:56)

11. Love Lost (7:10)

Blue Note Works 4000-4100 series [4031-4040]

BN.4031- Hank Mobley- 1960- Soul Station {RVG Remaster}
BN.4032- Sonny Red- 1960- Out Of The Blue
BN.4033- Dizzy Reece- 1960- Soundin' Off {RVG Remaster}
BN.4034- Lee Morgan- 1960- Lee-Way {RVG Remaster}
BN.4035- Duke Pearson- 1959- Tender Feelin's {RVG Remaster}
BN.4036- Lou Donaldson- 1960- Sunny Side Up
BN.4037- Horace Parlan- 1960- Us Three
BN.4038- Jackie McLean- 1960- Capuchin Swing {RVG Remaster}
BN.4039- Stanley Turrentine- 1960- Look Out! {RVG Remaster}
BN.4040- Freddie Hubbard- 1960- Open Sesame {RVG Remaster}

Michal Urbaniak discography [1970-2009]

Michał Urbaniak (born January 22, 1943) is a Polish jazz musician and composer born in Warsaw, Poland, playing mainly the violin, lyricon and saxophone during concerts and recordings. He played a central role in the development of jazz fusion in the 1970s and 1980s, and has introduced elements of folk, R&B, hip hop, and symphonic music to jazz.

Once Poland's most promising import in the jazz-rock 1970s, Michal Urbaniak's chief value in retrospect was as a fellow traveler of Jean-Luc Ponty, a fluid advocate of the electric violin, the lower-pitched Violectra, and the Lyricon (the first popular, if now largely under-utilized wind synthesizer). Like many Eastern European jazzmen, he would incorporate elements of Polish folk music into his jazz pursuits, and his other heroes range from the inevitable Miles Davis to Polish classicist Witold Lutoslawski. His electric violin was often filtered with a gauze of electronic modifying devices, and on occasion, he could come up with an attractively memorable composition like "Satin Lady."

Urbaniak began playing the violin at age six, followed by studies on the soprano and then tenor saxophones. His interests in jazz developed chronologically from Dixieland to swing to bop as he grew up, and he studied at the Academy of Music in Warsaw while working in various Polish jazz bands and playing classical violin. In 1965, he formed his own band in Scandinavia with singer Urszula Dudziak (later his wife), returning to Poland in 1969 to found Constellation, which included pianist Adam Makowicz. Having won a scholarship to the Berklee College of Music upon being voted Best Soloist at the 1971 Montreux Jazz Festival, Urbaniak made the U.S. his home in 1973. He soon formed a popular jazz-rock group called Fusion, recording for Columbia and Arista in a Mahavishnu Orchestra/Ponty fashion, with Dudziak adding darting, slippery scat vocals. This group lasted until 1977, and Urbaniak's profile would never be as high again, although he performed with Larry Coryell in 1982-1983, led the new electric group Urbanator in the 1990s, and has performed and recorded in other styles ranging from bop to free jazz into the 21st century.

Michal Urbaniak.1970- Paratyphus B

Michal Urbaniak.1971- Inactin

Michal Urbaniak.1971- Live Recordings (Polish Jazz)

Michal Urbaniak.1972- We'll Remember Komeda

Michal Urbaniak.1973- Constellation In Concert

Michal Urbaniak.1974- Atma

Michal Urbaniak.1974- Fusion

Michal Urbaniak.1975- Funk Factory

Michal Urbaniak.1975- Fusion III

Michal Urbaniak.1976- Body English

Michal Urbaniak.1977- Smiles Ahead

Michal Urbaniak.1977- Urbaniak

Michal Urbaniak.1978- Ecstasy

Michal Urbaniak.1978- Heritage

Michal Urbaniak.1980- Serenade For The City

Michal Urbaniak.1982- Solo's, Duo's & Trio's (w.Larry Corryel)

Michal Urbaniak.1984- Burning Circuits

Michal Urbaniak.1989- Songs For Poland

Michal Urbaniak.1990- Milky Way

Michal Urbaniak.1992- Manhattan Man

Michal Urbaniak.1993- Urbanator

Michal Urbaniak.1994- Some Other Blues

Michal Urbaniak.1996- Code Blue

Michal Urbaniak.1996- Live In Holy City

Michal Urbaniak.1996- My One And Only Love

Michal Urbaniak.1996- Urbanator II

Michal Urbaniak.2001- Sax, Love & Cinema

Michal Urbaniak.2005- Urbanator III

Michal Urbaniak.2007- Jazz Legends 2

Michal Urbaniak.2009- Miles Of Blue 2CD