Al Di Meola discography [1976-2020]

 

Guitarist Al Di Meola first rose to prominence as a blazing jazz fusion artist before his playing matured and he began to conquer other styles, such as acoustic Latin music. Born on July 22, 1954 in Jersey City, New Jersey, Di Meola briefly studied at the Berklee College of Music in Boston during the early '70s before accepting a job replacing guitarist Bill Connors in fusion trailblazers Return to Forever (a group that also included monster instrumentalists keyboardist Chick Corea, bassist Stanley Clarke, and drummer Lenny White) in 1974. It was with Di Meola that Return to Forever enjoyed their greatest commercial success, as such releases as 1974's Where Have I Known Before, 1975's No Mystery, and 1976's Romantic Warrior cracked the U.S. Top 40 before Di Meola jumped ship to launch a solo career.

Johnny Dodds — Clarinet Wobble (Quadromania, 4 CD, 2005/FLAC)

 One of the all-time great clarinetists and arguably the most significant of the 1920s, Johnny Dodds (whose younger brother Baby Dodds was among the first important drummers) had a memorable tone in both the lower and upper registers, was a superb blues player, and held his own with Louis Armstrong (no mean feat) on his classic Hot Five and Hot Seven recordings. He did not start on clarinet until he was 17 but caught on fast, being mostly self-taught. Dodds was with Kid Ory's band during most of 1912-1919, played on riverboats with Fate Marable in 1917, and joined King Oliver in Chicago in 1921. During the next decade, he recorded with Oliver's Creole Jazz Band, Jelly Roll Morton, Louis Armstrong, and on his own heated sessions, often utilizing trumpeter Natty Dominique. He worked regularly at Kelly's Stables during 1924-1930. Although Dodds continued playing in Chicago during the 1930s, part of the time was spent running a cab company. The clarinetist led recording sessions in 1938 and 1940, but died just before the New Orleans revival movement began. 

Art Tatum – The Chronogical Classics (1932-1953) [6 CD]

 

Arthur "Art" Tatum, Jr. (October 13, 1909 – November 5, 1956) was an American jazz pianist and virtuoso. He was nearly blind.
Tatum is widely acknowledged as one of the greatest jazz pianists of all time. Critic Scott Yanow wrote, "Tatum's quick reflexes and boundless imagination kept his improvisations filled with fresh (and sometimes futuristic) ideas that put him way ahead of his contemporaries ... Art Tatum's recordings still have the ability to scare modern pianists."

Chuck Mangione - 5 Original Albums (5 CD, 2017/FLAC)

 

Throughout the 1970s, Chuck Mangione was a celebrity. His purposely lightweight music was melodic pop that was upbeat, optimistic, and sometimes uplifting. Mangione's records were big sellers yet few of his fans from the era knew that his original goal was to be a bebopper. His father had often taken Chuck and his older brother Gap (a keyboardist) out to see jazz concerts, and Dizzy Gillespie was a family friend. While Chuck studied at the Eastman School, the two Mangiones co-led a bop quintet called the Jazz Brothers who recorded several albums for Jazzland, often with Sal Nistico on tenor. Chuck Mangione played with the big bands of Woody Herman and Maynard Ferguson (both in 1965) and Art Blakey's Jazz Messengers (1965-1967). In 1968, now sticking mostly to his soft-toned flügelhorn, Mangione formed a quartet that also featured Gerry Niewood on tenor and soprano. They cut a fine set for Mercury in 1972, but otherwise Mangione's recordings in the '70s generally used large orchestras and vocalists (including Esther Satterfield), putting the emphasis on lightweight melodies such as "Hill Where the Lord Hides," "Land of Make Believe," "Chase the Clouds Away." and the huge 1977 hit (featuring guitarist Grant Geissman) "Feels So Good." After a recorded 1978 Hollywood Bowl concert that summed up his pop years and a 1980 two-LP set that alternated pop and bop (with guest Dizzy Gillespie), Mangione gradually faded out of the music scene. In the '70s, Chuck Mangione recorded for Mercury and A&M; in the '80s he had a couple of very forgettable Columbia albums, and had not been heard from in the '90s until a 1997 comeback tour found him in good form, having a reunion with his "Feels So Good" band. The Feeling's Back followed in 1999. 

CD1 - Chase the Clouds Away (1975) 

CD2 - Main Squeeze (1976) 

CD3 - Feels So Good (1977) 

CD4 - Fun and Games (1980) 

CD5 - 70 Miles Young (1982) 

Benny Goodman - The Real... Benny Goodman (3 CD, 2012/FLAC)

 Benny Goodman, born on May 30, 1909 in Chicago, Illinois, was an American musician. Often referred to as the King of Swing, he is best remembered as one of the greatest clarinetists of all time, reaching the height of his popularity in the 1930s when swing was most popular. Goodman died of heart failure on June 13, 1986 in New York City.

VA - The Blue Note Years [14 CD, 1999]

 

Blue Note Records is an American jazz record label, established in 1939 by Alfred Lion and Max Margulis. Francis Wolff became involved shortly afterwards. It derives its name from the characteristic "blue notes" of jazz and the blues.

Originally dedicated to recording traditional jazz and small group swing, from 1947 the label began to switch its attention to modern jazz. While the original company did not itself record many of the pioneers of bebop, significant exceptions are Thelonious Monk, Fats Navarro and Bud Powell.

Historically, Blue Note has principally been associated with the "hard bop" style of jazz (mixing bebop with other forms of music including soul, blues, rhythm and blues and gospel). Horace Silver, Jimmy Smith, Freddie Hubbard, Lee Morgan, Art Blakey, Lou Donaldson, Donald Byrd and Grant Green were among the label's leading artists.

The label is currently owned by the EMI Group and in 2006 was expanded to fill the role of an umbrella label group bringing together a wide variety of EMI-owned labels and imprints specializing in the growing market segment of music for adults.

Preservation Hall Jazz Band discography [1977-2019]

  

Preservation Hall Jazz Band is the name for numerous groups of Dixieland Jazz and traditional jazz bands at Preservation Hall in New Orleans, Louisiana, and on tours as organized by the Preservation Hall. The purpose of the Hall has been to preserve the heritage of both New Orleans traditional and Dixieland jazz music born in New Orleans and common to the Riverboats plying the Mississippi River, which spread throughout the South until the early 20th century.

Henry Threadgill - The Complete Remastered Recordings on Black Saint & Soul Note (7 CD, 2010/FLAC)

 

Henry Threadgill (born February 15, 1944) is an American composer, saxophonist and flautist. He came to prominence in the 1970s leading ensembles rooted in jazz but with unusual instrumentation and often incorporating other genres of music. He has performed and recorded with several ensembles: Air, Aggregation Orb, Make a Move, the seven-piece Henry Threadgill Sextett, the twenty-piece Society Situation Dance Band, Very Very Circus, X-75, and Zooid. 

VA - Swinging Hamburg - Jazz in Hamburg from A-Z [18 CD, 2011]

 

Hamburg's jazz scene, its diversity and vibrancy, bring many music lovers to the swarm. After the Second World War, hundreds of playful bands gathered together in the town on the Elbe, where countless venues soon emerged. The Cotton Club or Dennis Swing Club who does not know them? For fans of the Hamburg Jazz and all who want to learn more about it, this extensive collection was created. In word, picture and sound, the scene of a unique scene comes to life: from the time when the harbor city was in ruins to the sound of today. They hold a set in hands consisting of 18 CDs. Listen to 389 titles from 102 combos, orchestras, soloists, singers and singers: 24 hours of swinging music pleasure and an acoustic piece of time history! 

Mel Torme - But Beatiful (4 CD Quadromania, 2005/FLAC)

 Mel Tormé was a jazz-oriented pop singer who worked at his craft steadily from the '40s to the '90s, primarily in nightclubs and concert halls. In his 1988 autobiography, It Wasn't All Velvet (its title a reference to his nickname, "The Velvet Fog," bestowed upon him by a disc jockey in the '40s to describe his husky, wide-ranging voice), he mentioned a wish that he had been born ten years earlier, that is, in 1915 rather than 1925. If he had had his wish, Tormé would have been an exact contemporary of Frank Sinatra, and like Sinatra, he might have had a full-fledged career as a big-band singer. In fact, given the breadth of his talents, he might have been a bandleader, since in addition to singing, he was also a drummer good enough to have gotten offers to go on the road as early as his teens, a songwriter responsible for one of the perennial Christmas standards, and an arranger who wrote the charts for much of the music he performed. Amazingly, this is still only a partial list of his accomplishments, which also included acting in more than a dozen feature films and on radio and television; hosting radio and TV shows; and writing television dramas, numerous articles for periodicals including Down Beat and The New York Times, and six published books of fiction, biography, and music criticism.