Clifford Jordan - The Complete Strata - East Sessions [6 CD, 2013/FLAC]

 

A really amazing set of work from tenorist Clifford Jordan – a player who first rose to fame in the hardbop scene of the late 50s, but who moved into tremendous new territory with these Strata East recordings of the late 60s and early 70s! Jordan was a Chicago contemporary of players like Johnny Griffin and Von Freeman, but he was never content to rest on his laurels – and stretched out on these records with a spiritual vibe that he'd never expressed before – and which would go onto inspire countless other musicians in years to come! This set brings together all the Dolphy Series recordings that Jordan recorded – either as an artist or producer – two of which were never issued on record at the time. Jordan's own albums for the label are wonderful enough – the double-length Glass Bead Games, one of our favorite records ever – and the killer In The World, which is great too. But this set also adds in other Strata East albums that really help illustrate the scene in which Jordan was working – including the excellent Pharoah Sanders non-Impulse session, Izipho Zam; the modern music of Charles Brackeen on Rhythm X, with Don Cherry on trumpet and Brackeen on tenor; and the great Cecil Payne album Zodiac, which has some of the last trumpet work ever from Kenny Dorham. Plus, the set also features two extremely rare albums – the never-issued Shades Of Edward Blackwell – led by the drummer, with Don Cherry on trumpet and Luqman Lateef on tenor, plus a bit of log drum from Jordan – and the obscure Super Bass album from Wilbur Ware, which features Jordan on tenor, in a quartet with Ware on bass, Don Cherry on trumpet, and Ed Blackwell on drums! These two albums are worth the price of the package alone – even if you have other Strata East albums in your collection – and the whole thing features the usual sublime Mosaic package and booklet.

Jackie McLean - The Complete Blue Note 1964-1966 Sessions (4 CD, 1993/FLAC)

 

Altoist Jackie McLean has recorded so many fine albums throughout his career, particularly in the '60s for Blue Note, that Mosaic could have reissued his complete output without any loss of quality. This four-CD limited-edition box set contains six complete LPs worth of material plus one "new" alternate take. The music (which also features trumpeters Charles Tolliver and Lee Morgan; pianists Herbie Hancock, Larry Willis, and Harold Mabern, vibraphonist Bobby Hutcherson, bassists Cecil McBee, Bob Cranshaw, Larry Ridley, Herbie Lewis, and Don Moore, drummers Roy Haynes, Billy Higgins, Clifford Jarvis, Jack DeJohnette, and Billy Higgins) is explorative (showing the influence of Ornette Coleman) but without totally disregarding McLean's bebop roots. The performances straddle the boundaries between advanced hard, post and free bop jazz with Jackie McLean consistently emerging as the main star. His solos are consistently exciting, full of unexpected twists and turns. 

Rahsaan Roland Kirk - Aces Back To Back (4 CD, 1998/FLAC)

 

Whether or not the four individual albums packaged with in Aces Back to Back are among Rahsaan Roland Kirk's finest is of no consequence. The fact that they have been assembled in a package that offers the listener a sense of Kirk's development and continuity is the issue here. And in this way, Aces Back to Back is a supreme collection. The four albums included — Left & Right, Rahsaan Rahsaan, Prepare Thyself to Deal With a Miracle, and Other Folks Music — date from 1969 to 1976 and chart dimensional growth of Kirk's completely original music.

Horace Parlan - The Complete Blue Note Horace Parlan Sessions (5 CD, 2000/FLAC)

Horace Parlan overcame physical disability and thrived as a pianist despite it. His right hand was partially disabled by polio in his childhood, but Parlan made frenetic, highly rhythmic right-hand phrases part of his characteristic style, contrasting them with striking left-hand chords. He also infused blues and R&B influences into his style, playing in a stark, sometimes somber fashion. Parlan always cited Ahmad Jamal and Bud Powell as prime influences. He began playing in R&B bands during the '50s, joining Charles Mingus' group from 1957 to 1959 following a move from Pittsburgh to New York. Mingus aided his career enormously, both through his recordings and his influence. Parlan played with Booker Ervin in 1960 and 1961, then in the Eddie "Lockjaw" Davis-Johnny Griffin quintet in 1962. Parlan played with Rahsaan Roland Kirk from 1963 to 1966, and had a strong series of Blue Note recordings in the '60s. He left America for Copenhagen in 1973, and gained international recognition for some stunning albums on SteepleChase, including a pair of superb duet sessions with Archie Shepp. He also recorded with Dexter Gordon, Red Mitchell, Frank Foster, and Michal Urbaniak, and recorded extensively for Enja and Timeless. He died in Denmark in February 2017 at the age of 86. 

Thelonious Monk - The Complete Albums Collection 1957- 1961 (5 CD, 2015/FLAC)

 

As the 1950s drew to a close, Monk's relationship with Riverside was beginning to sour over disagreements concerning royalty payments. He would not record another studio album for Riverside after 5 by Monk by 5, and a significant number of live albums followed, which showcased a variety of legendary performances across the USA, France and Italy. In 1962, Monk signed to Columbia Records. Working with producer Teo Macero on his debut for the label, the sessions in the first week of November had a stable line-up that had been with him for two years, Monk's Dream, was released in 1963.

Duke Ellington - The Centennial Edition: Complete RCA Victor Recordings 1927-1973 [24 CD, 1999/FLAC]

 

It is only fitting that the greatest figure in 20th-century popular music is the subject of this most wondrous box set. Across 24 discs, the majesty and unparalleled genius of Duke Ellington is on vivid display. Listening to the box from start to finish in chronological order, you discover a composer, bandleader, and pianist who consistently and daringly pushed his music ever forward. As fascinating as it is to hear his artistic progression as it unfolds, it is even more remarkable to digest these CDs out of order. During the course of 50 years, Ellington's creative wellspring gushed an amazing variety of music delivered in a multitude of different styles and settings; yet somehow, someway, it all sounds like Ellington. Whereas some artists find the blues idiom constricting, Duke saw it as a highly malleable and versatile foundation.

Herbie Nichols - The Complete Blue Note Recordings [3 CD, 1997/FLAC]

 

A reissue of the 48 Herbie Nichols recordings formerly out on the limited-edition five-LP Mosaic box set, this three-CD package from 1997 has the pianist/composer's greatest work. Nichols was largely neglected during his lifetime; only in the late '90s did the highly original musician start receiving some of the recognition he deserved. Although his originals were often quite orchestral in nature, Nichols only had the opportunity to record in a trio format; the five sessions on this box (30 songs plus 18 alternate takes) feature either Al McKibbon or Teddy Kotick on bass and Art Blakey or Max Roach on drums. The music (all originals except George Gershwin's "Mine") is virtually unclassifiable, and although largely straight-ahead, sounds unlike anything produced by Herbie Nichols' contemporaries.

Herbie Nichols (3 January 1919 – 12 April 1963) was an American jazz pianist and composer who wrote the jazz standard "Lady Sings the Blues". Obscure during his lifetime, he is now highly regarded by many musicians and critics.

Miles Davis – Young Miles [4 CD, 2000]

 

82 early tracks (between 1945 and 1950)  including classic encounters with Charlie Parker, the immortal 'Birth of the Cool' sessions and work with Sarah Vaughan.

Charlie Christian- Masters Of Jazz Series (9 CD/FLAC)

 

Charles Henry Christian (July 29, 1916 – March 2, 1942) was an American swing and jazz guitarist.

Christian was an important early performer on the electric guitar and a key figure in the development of bebop and cool jazz. He gained national exposure as a member of the Benny Goodman Sextet and Orchestra from August 1939 to June 1941. His single-string technique, combined with amplification, helped bring the guitar out of the rhythm section and into the forefront as a solo instrument. For this, he is often credited with leading to the development of the lead guitar role in musical ensembles and bands. 

Christian's influence reached beyond jazz and swing. In 1990, he was inducted into the Rock and Roll Hall of Fame in the category Early Influence.

In 2006 Oklahoma City renamed a street in its Bricktown entertainment district "Charlie Christian Avenue" (Christian was raised in Oklahoma City and was one of many musicians who jammed along the city's "Deep Deuce" section on N.E. Second Street). 

Fletcher Henderson - The Complete Fletcher Henderson 1927-1936 (2 LP, 1976/FLAC)

 "Complete" is in this case a relative term, meaning every recording by Fletcher Henderson's orchestra owned by RCA/Bluebird rather than every record he made during this period. A perfectly done two-LP set, these 34 songs include three from 1927 (featuring trumpeters Tommy Ladnier and Joe Smith at their best), 12 varying sides from 1931-32 (during which tenor-saxophonist Coleman Hawkins and trumpeters Rex Stewart and Bobby Stark make even the most commercial material into worthwhile music), a session from 1934 with trumpeter Red Allen and 15 numbers from 1936 that co-star trumpeter Roy Eldridge and Chu Berry on tenor. Throughout, the consistent high quality of the solos and the musicianship (even with some off moments) makes one regret that this classic orchestra was not more commercially successful.