Charlie Parker - The Complete Norman Granz Master Takes (4 CD, 2005/FLAC)

  

Charlie Parker's studio recordings have been issued, reissued (and de-issued, so to speak) in so many confusing combinations that anyone seeking a better understanding of his original discography might need a lodestone to hang onto. In addition to his excellent Savoy and Dial recordings, jazz lovers ought to have access to Definitive's wonderful survey of every master take that Bird ever recorded for producer Norman Granz. For years this exceptionally fine material was usually presented categorically, depending on thematic content ("South of the Border"), personae ("Bird and Diz") or instrumentation ("Bird with Strings"). Considered as a whole, this four-CD set is a stunning tribute to a master improviser. Neatly spanning a time period from December 1947 to December 1954, it includes Bird's very first Granz recording (made in Carnegie Hall without an audience); Bird's own big-band sessions; Bird's collaborations with Neal Hefti, Machito, Coleman Hawkins and trumpeters Dizzy Gillespie, Kenny Dorham, Miles Davis, Red Rodney and Benny Harris; three different sessions involving a chamber ensemble with strings; Bird's final quartet and quintet recordings, and a truly awe-inspiring All-Star Norman Granz Jam Session with a frontline consisting of Charlie Parker with Johnny Hodges, Benny Carter, Ben Webster, Flip Phillips and Charlie Shavers. The With Strings sessions sound better than ever when heard in context with the rest of the Parker/Granz collaborations. Here, then, is the Charlie Parker compilation to have, along with the Savoy and Dial master takes. This edition is supremely well-presented, and thoughtfully annotated with a written eulogy by Leonard Feather and a priceless set of transcribed reminiscences by legendary Kansas City bassist Gene Ramey.

Crimson Jazz Trio - King Crimson Songbook Vol.1-2.[2005-2009/FLAC]

The Crimson Jazz Trio was a jazz trio led by drummer Ian Wallace, formerly of King Crimson, who re-interpreted King Crimson's music.

The trio was conceived by Wallace, who recruited Tim Landers (bass) and Jody Nardone (piano) in 2004. They recorded the album King Crimson Songbook, Volume One (Voiceprint) in 2005. The album includes material from beyond Wallace's early 1970s tenure in King Crimson. It was supported with a few live dates in different parts of the U.S., but plans for further touring were scrapped due to Wallace's falling ill.

The band finished recording a second album, King Crimson Songbook, Volume Two, with assistance from Jakko Jakszyk and Mel Collins (Wallace's colleagues in 21st Century Schizoid Band; Collins is also a King Crimson alumnus) before Wallace died on February 22, 2007. It was released on April 7, 2009 on Inner Knot Records.

Jaco Pastorius - Punk Jazz: The Jaco Pastorius Anthology [ CD, 2003/FLAC]

 

Bassist Jaco Pastorius was the Jimi Hendrix of jazz. Before he left this world in 1987, he virtually created the fretless bass with an unorthodox playing style that turned that instrument into a highly tuned, electrified African talking drum. This long-overdue, two-CD compilation details the incredible, but incomplete arc of this artist's genius that encompassed the R&B, Caribbean, fusion, and jazz-rock idioms. Jaco-heads will revel in these legendary sides that made Pastorius famous. There's his solo rendition of Bach's "Chromatic Fantasy," his dreamy improvisations on "Midwestern Nights" with Pat Metheny, and, of course, the 1976 Weather Report megahit, "Birdland." There are also a few unreleased tracks including an early home recording of "The Chicken" and a live version of "Okonkole Y Trompa." Pastorius's sideman work with Joni Mitchell, which features a wicked take on Charles Mingus's "Goodbye Pork Pie Hat," is also included. But Pastorius's own compositions steal the show: the West Indian-riffed big band number "Liberty City," and his expansive and exotic tone poem "John and Mary." This set will blow your mind and break your heart.

Chu Berry - Classic Columbia and Victor Sessions (7 CD, 2007, FLAC)

 Chu Berry was considered one of the top tenor saxophonists of the 1930s, just below Coleman Hawkins (his main influence), Lester Young, and Ben Webster. Particularly strong on up-tempo numbers (although his ballad statements could be overly sentimental), Berry might have become an influential force if he had not died prematurely. After playing alto in college, he switched to tenor in 1929 when he joined Sammy Stewart's band. In 1930, he moved to New York, playing with Benny Carter's band and Charlie Johnson's orchestra. He was prominently featured in Spike Hughes' 1933 recording sessions, was a star with the bands of Teddy Hill (1933-1935) and Fletcher Henderson (1936; to whom he contributed his song "Christopher Columbus"), and then found a permanent home with Cab Calloway in 1937. Berry was used on many sessions including with his friend Roy Eldridge, Lionel Hampton (a classic version of "Sweethearts on Parade"), Teddy Wilson, and Calloway (his version of "Ghost of a Chance" became well-known); in addition he led a couple of his own fine dates. Chu Berry died from the effects of a car crash when he was just 31. 

Rahsaan Roland Kirk - Complete Mercury Recordings of Roland Kirk [10 + 1 CD, 1991]

  

Rahsaan Roland Kirk's nearly one-dozen long-players on the Mercury Records family of labels -- including the Smash and Limelight subsidiaries -- are gathered on this massive ten-disc compilation. Actually, it is 11 discs if you count the surprise bonus CD. Additionally, Rahsaan: The Complete Mercury Recordings of Roland Kirk lives up to its name by augmenting those albums with more than two-dozen previously unissued sides. Kirk's thoroughly innovative multi-instrumental reed work caught the attention of legendary producer Quincy Jones, then the vice-president of Mercury Records, who signed Kirk and would later arrange and conduct orchestrations for several of his memorable sessions. Perhaps the most recognizable among them is "Soul Bossa Nova" which is heavily featured in the Austin Powers franchise. Kirk's ability to perform several reed instruments -- including the tenor, flute, clarinet, manzello, and stritch -- simultaneously allowed him a musical autonomy few instrumentalists are afforded. His youthful embrace of the R&B, soul, pop, and eventually rock genres produced swinging interpretations of "And I Love Her" and "Walk on By," among others. Regardless of the genre, however, Kirk's ability to Swing -- with a capitol "S" -- is imprinted upon every piece he performed. Although Kirk continued his prolific output on Atlantic records in the late '60s and '70s, arguably his most profound sides are included here. We Free Kings, Domino, Reeds and Deeds, Gifts and Messages, I Talk with the Spirits and Rip, Rig & Panic are offered in their entirety. Undoubtedly the centerpiece of Kirk's work for the label is the live Kirk in Copenhagen, which features some wicked harp blowing from blues legend "Sonny Boy" Williamson, aka Big Skol. It is only fitting that this album benefits so greatly from inclusion on this set. The original six sides have been supplemented with an additional ten to present the entire October '63 performance, now complete at an hour and 45 minutes. Rahsaan: The Complete Mercury Recordings if Roland Kirk is complimented visually with a 56-page information packed booklet that includes: complete discographical and recording session logs, as well individual essays for each disc. Although not for the light of funds, this is truly the best way to become immersed in these early works of Rahsaan Roland Kirk.

Edith Piaf – Adieu Mon Coeur [10 CD, 2006]

 Édith Piaf is almost universally regarded as France's greatest popular singer. Still revered as an icon decades after her death, "The Sparrow" served as a touchstone for virtually every chansonnier, male or female, who followed her. Her greatest strength wasn't so much her technique, or the purity of her voice, but the raw, passionate power of her singing. (Given her extraordinarily petite size, audiences marveled all the more at the force of her vocals.) Her style epitomized that of the classic French chanson: highly emotional, even melodramatic, with a wide, rapid vibrato that wrung every last drop of sentiment from a lyric. She preferred melancholy, mournful material, singing about heartache, tragedy, poverty, and the harsh reality of life on the streets; much of it was based to some degree on her real-life experiences, written specifically for her by an ever-shifting cast of songwriters. Her life was the stuff of legend, starting with her dramatic rise from uneducated Paris street urchin to star of international renown. Along the way, she lost her only child at age three, fell victim to substance abuse problems, survived three car accidents, and took a seemingly endless parade of lovers, one of whom perished in a plane crash on his way to visit her. By the time cancer claimed her life at age 47, Piaf had recorded a lengthy string of genre-defining classics -- "Mon Légionnaire," "La Vie en Rose," "L'Hymne à l'Amour," "Milord," and "Non, Je Ne Regrette Rien" among them -- that many of her fans felt captured the essence of the French soul. 

Johnny Mercer - Mosaic Select 28 [3 CD, 2007]

 The world has been waiting for a digital-era box set focusing on Johnny Mercer, and the Mosaic label -- which has obliged countless times for other vital jazz artists -- comes through again. A three-disc collection scanning Mercer's recordings for Capitol (the label he founded), Mosaic Select: Johnny Mercer purposefully concerns itself with his "jazz flavored" releases between 1942 and 1947, close to a third of which turn out to be transcription sessions. (Granted, all of these were recorded with a full band and compare favorably to the other sides.) Mercer's pop hits are understandably neglected (only "G.I. Jive" and "Ac-Cent-Tchu-Ate the Positive" are present), and listeners should prepare for a parade of excellent unreleased or long unavailable sides -- more than 20 in all -- featuring bands led by Wingy Manone (including an uproarious "The Tailgate Ramble"), Benny Goodman, Nat King Cole, Cootie Williams, and most often, Paul Weston. Mercer's way with a novelty vocal is infectious, and now that it's arrived, it's hard to quibble. Granted, this is more of the Georgia gentleman's riches than have appeared on three discs.

Anita O'Day - Eight Classic Albums (4 CD, 2011/FLAC)

 

Anita Belle Colton (October 18, 1919 – November 23, 2006), known professionally as Anita O'Day, was an American jazz singer and self proclaimed “song stylist” widely admired for her sense of rhythm and dynamics, and her early big band appearances that shattered the traditional image of the "girl singer". Refusing to pander to any female stereotype, O'Day presented herself as a "hip" jazz musician, wearing a band jacket and skirt as opposed to an evening gown. She changed her surname from Colton to O'Day, pig Latin for "dough", slang for money.

Art Tatum - Portrait [10 CD, 2001]

 

Art Tatum was among the most extraordinary of all jazz musicians, a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands (his 1933 solo version of "Tiger Rag" sounds as if there were three pianists jamming together) but was harmonically 30 years ahead of his time; all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously. Able to play stride, swing, and boogie-woogie with speed and complexity that could only previously be imagined, Tatum's quick reflexes and boundless imagination kept his improvisations filled with fresh (and sometimes futuristic) ideas that put him way ahead of his contemporaries.

Ann Hampton Callaway - Blues In The Night (2006/2018) [FLAC]

 Making her Telarc debut, Ann Hampton Callaway comes out strong with Blues in the Night, featuring the title track she made famous in the musical 'Swing'. There are fiery original tunes such as 'I'm-Too-White to-Sing-the-Blues, ' 'Swingin'Away the Blues,' and 'Hip to Be Happy'. Ann brings in a cache of performers to guide her through the night including the DIVA Jazz Orchestra under the direction of Sherrie Maricle, her longtime accompanist Ted Rosenthal, Christian McBride, and Lewis Nash. Ann also performs a medley 'Stormy Weather / When the Sun Comes Out' with her sister Liz Callaway.

• Ann Hampton Callaway - vocals
• Ted Rosenthal - piano
• Christian McBride - bass
• Lewis Nash - drums

With special guests:

• Liz Callaway - vocals
• David Gilmore - guitar
• Sherrie Maricle and the Diva Jazz Orchestra